Roland E-80 - Manual (Page 261)

Appendix | MFX and IFX types and parameters
E-80 Music Workstation r
261
48. Step Phaser
The phaser effect will be varied gradually.
● Phaser Mode (4-Stage, 8-Stage, 12-Stage)—Number of
stages in the phaser.
● Phaser Manual (0~127)—Adjusts the basic frequency from
which the sound will be modulated.
● Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should
be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed (Hz) or a note value.
● Step Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modula-
tion speed.
● Step Rate [note] (musical notes)—Rate parameters can be
set as a note-value of a tempo if you set the “Sync” param-
eter above to “Note”. Specify the value of the desired note.
● Depth (0~127)—Depth of modulation.
● Polarity (Inverse, Synchro)—Selects whether the left and
right phase of the modulation will be the same or the
opposite. INVERSE: The left and right phase will be oppo-
site. When using a mono source, this spreads the sound.
SYNCHRO: The left and right phase will be the same. Select
this when inputting a stereo source
● Resonance (0~127)—Amount of feedback.
● Cross Feedback (–98%~0~+98%)—Adjusts the propor-
tion of the phaser sound that is fed back into the effect.
Negative (–) settings will invert the phase.
● Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the step rate should be syn-
chronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parame-
ter refers to a speed (Hz) or a note value.
● Step Rate [Hz] (0.10~20.00Hz)—Rate of the step-wise
change in the phaser effect.
● Step Rate [note] (Musical Notes)—Rate parameters can
be set as a note-value of a tempo if you set the “Sync”
parameter above to “Note”. Specify the value of the desired
note.
● Mix Level (0~127)—Level of the phase-shifted sound.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Level (0~127)—Output level.
49. MLT Phaser
Extremely high settings of the phase difference produce a
deep phaser effect.
● Phaser Mode (4-stage, 8-stage, 12-stage, 16-stage, 20-
stage, 24-stage)—Number of stages in the phaser.
● Phaser Manual (0~127)—Adjusts the basic frequency from
which the sound will be modulated.
● Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should
be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed (Hz) or a note value.
● Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation
speed.
● Rate [note] (musical notes)—Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
● Depth (0~127)—Depth of modulation.
● Resonance (0~127)—Amount of feedback.
● Mix Level (0~127)—Level of the phase-shifted sound.
● Panpot (L64~0~63R)—Stereo location of the output
sound. This is a mono effect that combines incoming sig-
nals. You can, however, place the processed signal any-
where between the left and right channels.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Level (0~127)—Output level.
50. Inf. Phaser
A phaser that continues raising/lowering the frequency at
which the sound is modulated.
● Mode (1, 2, 3, 4)—Higher values will produce a deeper
phaser effect.
● Speed (–100~100)—Speed at which to raise or lower the
frequency at which the sound is modulated (+: upward/–:
downward).
● Resonance (0~127)—Amount of feedback.
● Mix Level (0~127)—Level of the phase-shifted sound.
● Panpot (L64~0~63R)—Stereo location of the output
sound. This is a mono effect that combines incoming sig-
nals. You can, however, place the processed signal any-
where between the left and right channels.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Level (0~127)—Output level.
51. Ring Modul
Ring Modulator is an effect which applies amplitude modula-
tion (AM) to the input signal, producing bell-like sounds. You
can also change the modulation frequency according to the
volume of the sound input to the effects device.
● Frequency (0~127)—Sets the frequency at which modula-
tion will be applied.
● Sens (0~127)—Sets the amount of frequency modulation
applied.
● Polarity—Determines whether the frequency modulation
moves towards higher frequencies (UP) or lower frequen-
cies (DOWN).
● EQ Low Gain—Adjust the low frequency gain (amount of
boost or cut). Positive (+) settings will emphasize (boost)
the low frequency range.
● EQ High Gain—Adjust the high frequency gain (amount of
boost or cut). Positive (+) settings emphasize (boost) the
high frequency range.
● Balance—Sets the volume balance between the direct and
the effect sound. With a setting of D100:0W only the direct
sound will be output and with a setting of D0:100W the
effect sound will be output.
● Level (0~127)—Output level.