Tuning up and down – Nuvo Stereo System User Manual
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7.4 Renovia Tuner Control
Control of Renovia’s internal tuners (sources 1 and 2) default to the
buttons of the Control Pads, unless those sources are overridden in the
Configurator software. These functions are consistent with the NV-
E6GCP, NV-I8GCP, and NV-WCP Control Pads. The NV-CTP36 Color Touch
Pad has a specialized screen for the tuner control, although, the basic
functionality is the same (see the NV-CTP36 User Guide).
Tuning Up and Down
Tuning at the NuVo Control Pad is accomplished by touching arrow
forward >> or arrow back <<. A single touch advances one channel
or station frequency based on the tuning method selected, and a touch
and hold will rapidly change the channel or frequency, as shown in Fig.
49.
Pressing and holding the Play/Pause Button will toggle between
Preset and Seek Tune. The display will show an((S)) for Seek Tune and a
((P)) if in Preset Tune. If the band setting is AM or FM, the display will
also indicate signal strength for the selected frequency, as shown in
Fig. 50.
Changing Bands
Touching the Play/Pause button on the Control Pad will also toggle
through the available bands. SIRIUS is only available if an activated
NV-SCH1 SiriusConnect tuner is plugged into the SIRIUS inputs 1 and 2
on the NV-RVM.
Selecting a Locked Channel (North American SIRIUS only)
If a locked channel is selected, a four-digit security code must be
entered to listen to the audio. The code will appear as 0000 on the
display with the first 0 highlighted. The up and down arrow buttons
are used to scroll to the desired number and touching the OK button
advances the highlight to the next 0. Repeat the steps to enter the
remaining numbers until all four are entered. Touching the OK button
will then allow access to the selected channel, as shown in Fig. 51.
MENU
OK
Jozef Kossovit
SIR
SR 86 (P101)
SIRIUS Pops
3:09 PM
Hungaria
Tuning Up and Down
MENU
OK
SIR Locked
0000
3:15 PM
MENU
OK
Fly 92.9
FM
S
ST
FM 92.9
3:15 PM
Change Tuner Bands and Tuning Mode
Fig. 49
Fig. 50
Fig. 51