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Recording/ungated - sound reinforcement, C-series matrix crosspoints, C-series matrix crosspoints –12 – Polycom C16 User Manual

Page 26

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Design Guide for the Polycom SoundStructure C16, C12, C8, and SR12

2 - 12

Recording/Ungated - Sound Reinforcement

Finally, the sound reinforcement recording input includes the echo and noise

cancellation and optional feedback elimination processing as shown in the

following figure.

All three versions (conferencing, sound reinforcement, recording/ungated) of

the input signal processing can be used simultaneously in the matrix. The

conferencing version is typically used to send to remote participants, the

sound reinforcement version is typically used to send to the local loudspeaker

system, and the recording version is typically used for archiving the

conference audio content.

C-Series Matrix Crosspoints

The audio matrix is used to create different mixes of input signals and submix

signals to be sent to output signals and submix signals. Matrix crosspoints gain

values are shown in dB where 0 dB means a signal value is unchanged. For

example, a crosspoint value of -6 dB will lower the signal gain by 6 dB before

it is summed with other signals. The matrix crosspoint gain can be adjusted in

0.1 dB steps between -100 and +20 dB and may also be completely muted. In

addition, the matrix crosspoint can also be negated/inverted so that the

crosspoint arithmetic creates a subtraction rather than an addition. The

inversion technique may be effective in difficult room reinforcement

environments by creating phase differences in alternating zones to add more

gain before feedback.
Matrix crosspoints associated with stereo channels have a balance or pan to

control mapping mono to stereo channels, stereo to mono channels, and stereo

to stereo channels.
The three different versions of the input processing - the ungated,

conferencing, and sound reinforcement - are selected at the matrix crosspoint.

The SoundStructure Studio software allows the user to select which version of

the input signal processing at the matrix crosspoint. As will be shown in

Chapter 4 Creating Designs, the different versions of the input processing will

be represented with different background colors in the matrix crosspoint.

Mic or Line

Input

Input to

Matrix

Input to

Matrix

Parametric

Equalization

A/D

Converter

Analog

Gain

Acoustic Echo

Cancellation

Noise

Cancellation

Automatic

Gain Control

Automixer

AGC

Dynamics

Fader

Delay

Fader

Automixer

Automixer

Delay

Automatic

Gain Control

Non Linear

Processing

Feedback

Cancellation

Dynamics
Processor

Dynamics
Processor

Fader

Input to

Matrix

Automatic

Gain Control

Fader

Delay

Dynamics
Processor

Delay

Mute

Router

Recording/
Ungated

Conferencing

Sound
Reinforcement

UNGATED - Sound Reinforcement Processing

Parametric

Equalization

Acoustic Echo

Cancellation

Noise

Cancellation

Automatic

Gain Control

Fader

Delay

Feedback

Cancellation

Dynamics
Processor

Mute

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