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Compressors and limiters – Polycom C16 User Manual

Page 117

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Customizing SoundStructure Designs

5 - 37

Compressors And Limiters

The peak limiter monitors the peak signal magnitude and compares it to a

threshold. If the peak surpasses the threshold, the peak limiter immediately

attenuates the signal with a very fast attack to bring the peak level below the

threshold.
Limiters and compressors attenuate high-level signals without changing low

level signals and are typically used to prevent loud signals from clipping, or to

reduce the dynamic range of a signal to make the output level more consistent

even if the input level is not consistent. When the input signal level rises above

the compressor’s threshold, the compressor applies attenuation so that the

output signal increases at a rate of one over the compression ratio past the

threshold. Signals below the threshold are not modified, signals above the

threshold are “compressed” or scaled by the compression ratio.
For example, if the compression ratio is set to 4:1, the threshold is set to -10
dBFS

1

, and the input signal level is -2 dBFS (8 dB above the threshold) the com-

pressor applies the compression ratio (in this case 4:1) and divides the 8 dB by

4 to arrive at 2 dB. The output signal is then -8 dBFS (2 dB above the threshold)

even though the input signal was 8 dB above the threshold.
From this example, it is clear that the threshold is not a hard limit, but rather

the onset of when the “compression” or division by the compression ratio is

engaged. This is shown in the following figure.

The “attack” portion of the compressor is when attenuation is increased as the

signal level crosses the threshold, and the “decay” portion is when the attenu-

ation is reduced toward 0 dB as the signal level falls below the threshold.

1

dBFS means dB full scale where 0 dBFS is the maximum input signal allowed.

Due to the SoundStructure design of a nominal signal level of 0 dBu with 20
dB headroom, -20 dBFS equals 0 dBu.

Input Level (dB)

Output L

e

v

el (dB)

No Compression

2:1 Compression

4:1 Compression

10:1 Compression

Threshold

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