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SWR Sound Professional Bass Preamplifier Marcus Miller User Manual

Page 8

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8

M. BOOST LEVEL / COMP BLEND— This dual knob control

is active only when the the Boost + Compress circuit {N}

is engaged. The inner knob sets the volume boost level

and the outer knob sets the compression level. When the

outer Comp Blend knob is in the center detent position,

compression will be active at the level set by the 4 com-

pressor knobs—even if the Compressor {F} is OFF before

entering Boost + Compress mode. In addition, you can set

Comp Blend anywhere from "off" (fully counter-clockwise)

to "max" to increase the compression level actually set

by the 4 compressor knobs. This allows you to have an

independent compression level just for Boost + Compress

mode!

N. BOOST + COMPRESS MODE— Press in to engage the

Boost + Compress mode, useful for solos. This mode can

also be engaged from the Footswitch {II}.

O. PAD— Press in to reduce input sensitivity by –10dB, useful

for cleaner response from high-output instruments.

P. PREAMP CLIP LED— Illuminates when clipping

(overdriving) occurs anywhere in the preamp signal path

before the Effects Loop. For the cleanest sound, set

Gain {Q} and other front panel controls so that the Preamp

Clip LED barely flickers at your instrument’s peak output

levels. Note that preamp clipping is not harmful to your

amplifier (unlike power amp clipping), therefore reduce

Gain only if you hear unwanted preamp distortion.

Q. GAIN— Adjusts the signal level of the preamplifier. Your

equalization, tone and effect levels all contribute to the

preamp signal level and should be adjusted before Gain.

NOTE: Gain is the primary control for setting the output

level of Effects Send {FF}.

R. AURAL ENHANCER™— A trademark SWR® feature for 20

years, the Aural Enhancer brings out the fundamental

low notes of the bass, brightens high-end transients and

reduces certain frequencies that “mask” the fundamen-

tals. The ultimate effect is a more transparent sound that

opens up the sibilant characteristics of all instruments

without being harsh.
How the Aural Enhancer works: Think of it as a variable

tone control that changes frequency range AND level

according to where you set the Aural Enhancer control:
As you rotate the control clockwise from the “MIN” posi-

tion, you are elevating low, mid, and high frequency levels

in ranges that are different, yet complementary to the

Bass and Treble tone controls. The “2 o’clock” position—a

favorite for many players—brings out both low end fun-

damentals and crisp highs while at the same time, adds

a little lower midrange helping you to cut through the

band. Then, as you rotate further clockwise, selected mids

will drop off—specifically, a group of frequencies cen-

tered around 600Hz. While apparent, the Aural Enhancer

is gentle compared to the extreme effects you can create

with the basic tone controls.

Note to experienced SWR users: The Aural Enhancer feature

for this product was customized by Marcus Miller and will

not behave in exactly the same manner to which you are

accustomed. Although the circuit still performs the same

basic function, the entire frequency range affected by the

Aural Enhancer has been shifted. The center frequency is

now 600Hz instead of 200Hz. Additionally, a pull “Defeat”

control has been added which enables true flat EQ.

S. BYPASS— Press to remove the EQ circuit from the signal

path, as indicated by the LED. EQ Bypass enables a true-

flat EQ when used with the Aural Enhancer Defeat con-

trol.

T. BASS— Adjusts low-frequency signal response ±15dB cen-

tered around 70Hz.

U. SEMI-PARAMETRIC EQUALIZER— Each of the 3 Mid-EQ

controls has an inner Level knob that adjusts

signal response (±15dB) in the range set by

the outer Frequency knob. NOTE: Any Mid-EQ

control with Level set to “0” has no effect on

your signal, regardless of Frequency setting.

Mid-range tone control is critical for creating a distinctive

edge in your sound. The best settings will depend on the

situation—what sounds harsh when playing alone may

sound just right in a crowded room or on a recording!

TIP: If you need to “cut through” the band, try boost-

ing response in the 200–400Hz range. If you like a more

transparent or “scooped” sound, try cutting in the 800Hz

range.

V. TREBLE— Adjusts high-frequency signal response ±15dB

centered around 3kHz.

W. EFFECTS BLEND— Controls your effects level by adjust-

ing the amount of direct (dry) signal mixed in with the

effects loop (wet) signal. Set to "DRY" when not using any

Effects Return jacks {FF}.

X. MASTER VOLUME— Adjusts the output level of the

Marcus Miller preamp at the Preamp Out jack {AA} on the

rear panel.

Y. POWER SWITCH— Switches the unit ON-OFF, as indicated

by the LED.

Front Panel