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Final cut pro, Mr-hd100 nfr workflow, More information, see – FOCUS Enhancements MR-HD100 User Manual

Page 192: Final cut

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Non-Linear Editors (NLEs)

MR-HD100 Media Recorder
172

Final Cut Pro

MR-HD100 NFR Workflow

Traditional File-Based Workflow

Traditional video workflow is based on the film industry. Video
like film is considered as an actual strip of film or tape that is

identified by a code number. Records of the content of the video
is physically logged and maintained separately from the tape.
A significant part of the workflow involves the physical
handling, processing, logging, and storing of individual items.
Even with the introduction of digital media, much of the old
workflow remains. Video clips, though digital and now easily
duplicated, are still often identified by a code number that
identifies the video file, much like a strip of film.

MR-HD100 and Content-Based Workflow

The MR-HD100 combines Native File Recording (NFR)
technology and integrated metadata logging to create content-
based workflow that is significantly more efficient than the file-
based method. The MR-HD100 provides the ability to video
content and related metadata that can be downloaded, ready to
edit, into the Final Cut Pro editor.
Content-based workflow involves:

• Defining Project

Using storyboards, scripts, director’s shot list, and other
means, the video team visualizes how the final project will
look and the individual tasks needed to create the video
content. This information is the basis for the fields in the

metadata template.