Cadac CDC four User Manual
Page 24

24
Revision 1 2012-13
CDC FOUR
The table below summarises the signal which each fader controls in each layer:
LAYER SELECT BUTTON
FADER
CHNS 1-16
CHNS 17-24
CHNS 33-48
ST CHNS VCA
OUTPUTS
1
Mic/line input 1
Mic/line input 17
Mic/line input 33
Stereo input 1
Output group 1
2
Mic/line input 2
Mic/line input 18
Mic/line input 34
Stereo input 2
Output group 2
3
Mic/line input 3
Mic/line input 19
Mic/line input 35
Stereo input 3
Output group 3
4
Mic/line input 4
Mic/line input 20
Mic/line input 36
Stereo input 4
Output group 4
5
Mic/line input 5
Mic/line input 21
Mic/line input 37
Stereo input 5
Aux Send Master 1
6
Mic/line input 6
Mic/line input 22
Mic/line input 38
Stereo return 1
Aux Send Master 2
7
Mic/line input 7
Mic/line input 23
Mic/line input 39
Stereo return 2
Aux Send Master 3
8
Mic/line input 8
Mic/line input 24
Mic/line input 40
Tape return
Aux Send Master 4
9
Mic/line input 9
Mic/line input 25
Mic/line input 41
VCA master 1
Aux Send Master 5
10
Mic/line input 10
Mic/line input 26
Mic/line input 42
VCA master 2
Aux Send Master 6
11
Mic/line input 11
Mic/line input 27
Mic/line input 43
VCA master 3
Aux Send Master 7
12
Mic/line input 12
Mic/line input 28
Mic/line input 44
VCA master 4
Aux Send Master 8
13
Mic/line input 13
Mic/line input 29
Mic/line input 45
VCA master 5
FX Master 1
14
Mic/line input 14
Mic/line input 30
Mic/line input 46
VCA master 6
FX Master 2
15
Mic/line input 15
Mic/line input 31
Mic/line input 47
VCA master 7
-
16
Mic/line input 16
Mic/line input 32
Mic/line input 48
VCA master 8
-
The SEL button for each fader - and hence the entire Central Assignment Module
– follows the currently selected layer. Thus pressing the SEL button above Fader
5 will assign the CAM to mic/line input 5 when the layer CHNS 1-16 is active, but
to mic/line input 21 if the next layer, CHNS 17-32, is active, and to stereo input 5
if the layer ST CHNS VCA is active.
Every channel parameter for all the channels in a layer retains its last value when
the active layer is changed. This means that all levels, EQ settings, sends, etc.,
adjusted for a particular input will stay exactly as they are when you change to
a different layer. Although the fader set and CAM are now assigned to mic/line
inputs 17-32, it is possible to check and adjust parameters in mic/line inputs 1-16
– or any other layer – through the TFT display. Note that as the active layer is
changed, the motorised faders will automatically move to the correct positions for
the new layer.