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V-verb pro rev2496, Installation – Behringer Rev2496 User Manual

Page 24

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V-VERB PRO REV2496

7. INSTALLATION

6.4 Backing up data via MIDI

To save all of your presets outside of your V-VERB PRO in just

one step, you can use a special form of MIDI communication:

system-exclusive data. Here, the V-VERB PRO lets the

sequencer or the MIDI file know who its manufacturer is, what

type of equipment it is and transmits all parameter settings for all

presets. To activate this very practical function, please go the

SETUP mode by pressing the SETUP key. Use PAGE

/

to

get to the MIDI page. Activate the SysEx function by using the

SEND parameter (EDIT B) (see table 6.1).

Now, by turning the EDIT D controller, you can determine if the

entire memory contents (ALL) or only the current setting (EDIT)

will be sent.

Select a track on your MIDI sequencer, put it into recording

mode, start the recording and press the EDIT D control to start

the dump. Now, your V-VERB PRO transmits its memory contents

as system-exclusive data.

To load up this recorded data back to the REV2496, you have

to first activate the SysEx function on the receiving end. This is

done through the EDIT C control (select SYSEX, PGM+SX, CC+SX

or ALL ON). The REV2496 can now receive data. Start your MIDI

sequencer, and the preset data will be automatically loaded into

the internal memory. Upon being received, a preset previously

recorded on the MIDI sequencer will automatically be stored in its

old location, and this will happen without a confirmation being

given about it.

+

During receiving/loading memory data, the entire

current memory contents of the USER bank will be

overwritten.

7. INSTALLATION

7.1 Installation in a rack

The REV2496 requires one height unit (1 HE) for mounting in a

19" rack. Please keep in mind that an additional 10 cm (4") of

depth in the back are required to enable trouble-free access to

the connectors on the rear panel.

Please make sure that your REV2496 has enough cooling air,

and never put it on an amp or other heat-emitting equipment to

avoid overheating.

For rack installation, please use M6 machine screws and nuts.

7.2 Audio connections

You will require different cable types for different types of

applications. The illustrations that follow show you how these

cables are connected. Always use only good-quality cables.

The analog connections

and

of your REV2496 are

laid out as balanced connection to avoid hum.

You can also connect equipment with unbalanced connections

to the balanced inputs and outputs of your REV2496. Use either

mono jacks or connect the ring of stereo jacks with the shaft (or

connect Pin 1 to Pin 3 for XLR connectors).

Fig. 7.1: XLR connections

Fig. 7.2: 1/4" TS connector

Fig. 7.3: 1/4" TRS connector

7.3 Digital inputs and outputs

The AES/EBU interface whose name is derived from the Audio

Engineering Society and the European Broadcasting Union, is

mainly used in professional studio environments and broadcasting

studios for the transmission of digital signals over longer

distances. The connection is made via balanced XLR cables

with a resistance of 110 ohms. Cables can be up to 100 m long.

With some minor adaptations, even cable lengths of over 1 km

are possible (not rare in radio and TV applications). According to

our own experience, cable selection does not play a major role.

With cables whose length does not exceed 20 m (66 ft),

commercially available microphone cables don’t have a negative

effect on sound quality. When dealing with greater cable lengths

or when the quality standards are set higher (mobile operation,

stronger high-frequency fields), you should definitely use special

110-Ohm cables with double electromagnetic shielding.

The interface complies with the AES3 format, which allows

for two-channel transmission of signals with a resolution of up

to 24 bits. The signal has an auto-clock and auto-synchronization

feature (important when several digital devices are used). The

sample rate is not fixed and can be chosen freely. Typical rates

are 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz. The AES/EBU interface

is largely compatible with the popular S/PDIF interface. A

connection can be made using an adapter. The format can be

switched to S/PDIF (Sony/Philips Digital Interface Format).

Digital inputs/outputs on optical connectors are also available.