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Symphonic ■ phaser ■ autopan – Yamaha AW 1600 User Manual

Page 191

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Effects Parameters

191

AW1600 Owner’s Manual

Appendix

SYMPHONIC

PHASER

AUTOPAN

Parameter

Range

Description

FREQ.

0.05 – 40.00 Hz

Modulation speed

DEPTH

0 – 100%

Modulation depth

MOD.DLY

0.0 – 500.0 ms

Modulation delay time

WAVE

Sine, Tri

Modulation waveform

LSH F

21.2 – 8.00 k [Hz]

Low-shelving filter frequency

LSH G

–12 to +12 [dB]

Low-shelving filter gain

EQ F

100 – 8.00 k [Hz]

Parametric equalizer center frequency

EQ G

–12 to +12 [dB]

Parametric equalizer gain

EQ Q

10 – 0.10

Parametric equalizer band width

HSH F

50.0 – 16.0 k [Hz]

High-shelving filter frequency

HSH G

–12 to +12 [dB]

High-shelving filter gain

MIX BAL.

0 – 100 [%]

Mix balance of the effects and dry sounds

Parameter

Range

Description

FREQ.

0.05 – 40.00 Hz

Modulation speed

DEPTH

0 – 100%

Modulation depth

FB.GAIN

–99 to +99%

Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback)

OFFSET

0 – 100

Lowest phase-shifted frequency offset

STAGE

2, 4, 6, 8, 10, 12, 14, 16

Number of phase shift stages

LSH F

21.2 – 8.00 k [Hz]

Low-shelving filter frequency

LSH G

–12 to +12 [dB]

Low-shelving filter gain

HSH F

50.0 – 16.0 k [Hz]

High-shelving filter frequency

HSH G

–12 to +12 [dB]

High-shelving filter gain

MIX BAL.

0 – 100 [%]

Mix balance of the effects and dry sounds

Parameter

Range

Description

FREQ.

0.05 – 40.00 Hz

Modulation speed

DEPTH

0 – 100%

Modulation depth

DIR.

L<->R, L—>R, L<—R, Turn L,
Turn R

Panning direction

WAVE

Sine, Tri, Square

Modulation waveform

LSH F

21.2 – 8.00 k [Hz]

Low-shelving filter frequency

LSH G

–12 to +12 [dB]

Low-shelving filter gain

EQ F

100 – 8.00 k [Hz]

Parametric equalizer center frequency

EQ G

–12 to +12 [dB]

Parametric equalizer gain

EQ Q

10 – 0.10

Parametric equalizer band width

HSH F

50.0 – 16.0 k [Hz]

High-shelving filter frequency

HSH G

–12 to +12 [dB]

High-shelving filter gain

MIX BAL.

0 – 100 [%]

Mix balance of the effects and dry sounds