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Casio PX-5S Tutorial User Manual

Page 16

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Using Built-in Tones (Tutorial)

E-15

Editable Parameters

Display Text

Description

Settings

Layer On/Off

Layer on/off. Selecting off disables layer.

Off, On

Wave Number

Wave number. Selects a waveform type.
• Refer to the “Wave List” at the back of this manual for information

about wave types.

See “Wave List” at the
back of this manual.

Pitch >Ent

Pitch envelope. For details, see the melody tone “Pitch Envelope” on
page E-11.
• For details about the setting items below, see the melody tone “Pitch

Envelope” on page E-11. You can input “Initial Level” and “Release
Level” values in the range of –256 to 0 to +255. You can input “Attack
Time” and “Release Time” values in the range of 0 to 127.
Octave Shift, Initial Level, Attack Time, Release Time, Release Level

• For details about the setting items below, see drum tone “Pitch

Envelope” on page E-13.
Coarse Tune, Fine Tune

• For details about the setting items below, see the melody tone

“Filter” on page E-11. You can input “Attack Level” and “Decay
Level” values in the range of –256 to 0 to +255. You can input a
“Decay Time” in the range of 0 to 127.
Attack Level, Decay Time, Decay Level

Key Follow

Key follow. Adjusts the amount of pitch change between neighboring
keyboard keys. A higher value represents greater change.

–128 - 0 - +127

Key Follow Base

Key follow base. Keyboard key that is the center of key follow.

C- - G9

Split Shift

Split shift. Counting from the keyboard key that is pressed, the
waveform that sounds is the one assigned to the keyboard key that is
the specified split shift amount above or below the pressed key. The
pitch used is the one that corresponds to the pressed keyboard key.

–12 - 0 - +12

LFO Layer Depth

LFO layer depth. Adjusts how LFO is applied to each layer.

0 - 127

Filter >Ent

Filter. For details, see the melody tone “Filter” on page E-11.
• For details about the setting items below, see the melody tone

“Filter” on page E-11. You can input a value in the range from 0 to
127.
Cutoff, Resonance, Attack Level, Envelope Depth

• For details about the setting items below, see the melody tone “Pitch

Envelope” on page E-11. You can input a value in the range from 0 to
127.
Initial Level, Attack Time

Filter Type

Filter type. Specifies the range cut by the filter.
LPF1: 6dB/oct filter for low-frequency band components. No

resonance effect. Suitable for acoustic instruments.

LPF2: 12dB/oct filter for low-frequency band components. No

resonance effect. Suitable for acoustic instruments.

LPF3: 12dB/oct filter for low-frequency band components. With

resonance effect. Suitable for synthesized tones.

BPF : 6dB/oct filter for band components in the vicinity of the cutoff

frequency. With resonance effect.

HPF : 12dB/oct filter for high-frequency band components. With

resonance effect.

Refer to the cell to the left.

Velocity Sense

Velocity sense. Specifies the degree of change in the filter in accordance
with keyboard press velocity.

–64 - 0 - +63

Decay 1 Time

Decay 1 time. Time it takes for the sound to reach the decay 1 level
from the attack level.

0 - 127

Decay 1 Level

Decay 1 level. Target level for change from the attack level up to the
Decay 1 level.

0 - 127

Decay 2 Time

Decay 2 time. Time it takes for the sound to reach the Decay 2 level
from the Decay 1 level.

0 - 127

Decay 2 Level

Decay 2 level. Second target level for change from Decay 1 level up to
the Decay 2 level.

0 - 127