Reverb, Customizing the reverb sound, Sample settings – Teac PocketStudio 5 Reference Manual User Manual
Page 11: Customizing the reverb sound sample settings, 3 – effects, 11 reverb
3 – Effects
TASCAM Pocketstudio 5
Reference Manual
11
Reverb
The reverb is available only on mixdown. The four
recorded tracks can be sent to the reverb, as can the
two inputs.
The six input levels (send levels) can be adjusted
individually (
0
through
127
), and the master input
level to the reverb can then be adjusted with the same
values.
The output (return) level from the reverb can also be
set from
0
through
127
.
You reach the reverb setup screen through the main
menu, or “sideways” from the EQ and Pan screens
(see “Pan and EQ” on page 6).
The first four lines are the four recorded track send
levels (
SendTr1
through
SendTr4
), and the
next two are the two input send levels (
SendInA
and
SendInB
).
Following this are the master send (
SendMst
)
and the return level (
RtrnLev
) parameters.
All of the above can be set with value from
0
through
127
.
Customizing the reverb sound
You can
make the reverb sound individual with the following
parameters:
Time
,
PreDly
,
HiCut
,
Density
and
Attack
.
These are explained in more detail in the Getting
Started manual (see the description on page 21).
Sample settings
Here are some examples of set-
tings you can make of popular reverb types. Use
these as starting points for your own experiments.
The hall setting gives a spacious feeling to your work
This setting provides a sound similar to that of a
small, live room
This sound provides a sound similar to that of a
live performance in a large arena, etc.
The “instrument booth” simulates the sound
when you play an instrument in a professional
recording studio.
F u n c
R E V
, .
S e n d T r 1
/
1 0 0
S e n d T r 2 :
1 0 0
S e n d T r 3 :
1 0 0
;
Time
2.7
PreDly
49
HiCut
50
Density
75
Attack
36
Time
0.7
PreDly
28
HiCut
80
Density
47
Attack
32
Time
3.7
PreDly
68
HiCut
50
Density
80
Attack
33
Time
1.4
PreDly
47
HiCut
70
Density
61
Attack
100