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Dry recording and re-miking, Step one: recording the dry signal, Big amp – Two Notes VB-101 User Manual

Page 24: 4dry recording and re-miking, 1 step one: recording the dry signal, Connecting the torpedo vb-101, Sequencer + remote

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Connecting the TORPEDO VB-101

4

Dry recording and re-miking

Here is a particular configuration that makes the most of the TORPEDO VB-101’s great flexibility.

When recording, this particular way of connecting the machine will allow you to rework a given

recording after it has been made. The purpose is to work on the miking when you have sufficient

time to do it perfectly — while mixing with all the other instruments, for example — and to multiply

the tracks with various miking settings if needed.

The reamping techniques (i.e., recording a guitar or bass through a DI and sending that signal

into an amplifier) are already known. What we are going to talk about here is something we call

"re-miking".

This is done in two steps :

1. Dry recording the amplifier (i.e., recording the sound of the amplifier at the speaker output with

the TORPEDO VB-101 but without a speaker simulation);

2. Using the TORPEDO VB-101 as an external processing unit inside a digital or analog loop by using

the AES/EBU or the S/PDIF I/O.

THRU

INPUT

8 Ohms 150W RMS

POST SIMULATION

PRE SIMULATION

LEFT

RIGHT

S/PDIF

AES/EBU

IN

IN

OUT

OUT

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK

DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOSTURE.

CAUTION

TO REDUCE THE RISK OF FIRE OR ELECTRIC SCHOCK

CAUTION

DO NOT REMOVE COVER.

!

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

AVIS : RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR.

CAUTION

REPLACE FUSE WITH SAME FUSE TYPE AND RATING

POWER

ALWAYS CONNECT YOUR AMP

OUTPUT TO A SUITABLE LOAD.

DO NOT SET YOUR AMP MASTER

VOLUME TO MAX IN ORDER

TO AVOID POSSIBLE DAMAGES

.

NOTICE

SERIAL NUMBER

MADE IN FRANCE

R o H S

2002/95/EC

ANALOG OUPUTS

ANALOG INPUT

USB

WORDCLOCK

IN

SYNC

SPEAKER

DIGITAL I/0

OPTIONAL ETHERNET

AUDIO ENGINEERING

IN

OUT/THRU

MIDI

2

3

4

5

6

1

USB

WORDCLOCK

SYNC SIGNAL

WordClock

SEQUENCER

+

REMOTE

Audio Interface

AES/EBU/S/PDIF

DIGITAL LOOP

ANALOG

INPUT

Big Amp

O

I

OTHER

DIGITAL

DEVICES

SPEAKER OUTPUT 8 OHMS

150 W RMS max

Output mode

L

R

Stereo

Stereo

Dry/Wet

Dry

Wet

Wet/Dry

Wet

Dry

1

Electric guitar or bass

3

TORPEDO VB-101, rear view

5

Audio interface

2

Guitar or bass amplifier

4

DAW with TORPEDO Remote

5

Master clock

4.1

Step one: recording the dry signal

There are several options to get your amplifier’s dry signal with the TORPEDO VB-101:

1. Using the PRE SIM output to get the direct analog signal before the first analog-to-digital stage

of the TORPEDO VB-101

2. Using the ANALOG line Out or AES/EBU-S/PDIF digital Out with a Dry/Wet or Wet/Dry Output

Mode configuration

24

Two Notes Audio Engineering

Torpedo VB-101