Dry recording and re-miking, Step one: recording the dry signal, Big amp – Two Notes VB-101 User Manual
Page 24: 4dry recording and re-miking, 1 step one: recording the dry signal, Connecting the torpedo vb-101, Sequencer + remote
Connecting the TORPEDO VB-101
4
Dry recording and re-miking
Here is a particular configuration that makes the most of the TORPEDO VB-101’s great flexibility.
When recording, this particular way of connecting the machine will allow you to rework a given
recording after it has been made. The purpose is to work on the miking when you have sufficient
time to do it perfectly — while mixing with all the other instruments, for example — and to multiply
the tracks with various miking settings if needed.
The reamping techniques (i.e., recording a guitar or bass through a DI and sending that signal
into an amplifier) are already known. What we are going to talk about here is something we call
"re-miking".
This is done in two steps :
1. Dry recording the amplifier (i.e., recording the sound of the amplifier at the speaker output with
the TORPEDO VB-101 but without a speaker simulation);
2. Using the TORPEDO VB-101 as an external processing unit inside a digital or analog loop by using
the AES/EBU or the S/PDIF I/O.
THRU
INPUT
8 Ohms 150W RMS
POST SIMULATION
PRE SIMULATION
LEFT
RIGHT
S/PDIF
AES/EBU
IN
IN
OUT
OUT
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOSTURE.
CAUTION
TO REDUCE THE RISK OF FIRE OR ELECTRIC SCHOCK
CAUTION
DO NOT REMOVE COVER.
!
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS : RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR.
CAUTION
REPLACE FUSE WITH SAME FUSE TYPE AND RATING
POWER
ALWAYS CONNECT YOUR AMP
OUTPUT TO A SUITABLE LOAD.
DO NOT SET YOUR AMP MASTER
VOLUME TO MAX IN ORDER
TO AVOID POSSIBLE DAMAGES
.
NOTICE
SERIAL NUMBER
MADE IN FRANCE
R o H S
2002/95/EC
ANALOG OUPUTS
ANALOG INPUT
USB
WORDCLOCK
IN
SYNC
SPEAKER
DIGITAL I/0
OPTIONAL ETHERNET
AUDIO ENGINEERING
IN
OUT/THRU
MIDI
2
3
4
5
6
1
USB
WORDCLOCK
SYNC SIGNAL
WordClock
SEQUENCER
+
REMOTE
Audio Interface
AES/EBU/S/PDIF
DIGITAL LOOP
ANALOG
INPUT
Big Amp
O
I
OTHER
DIGITAL
DEVICES
SPEAKER OUTPUT 8 OHMS
150 W RMS max
Output mode
L
R
Stereo
Stereo
Dry/Wet
Dry
Wet
Wet/Dry
Wet
Dry
1
Electric guitar or bass
3
TORPEDO VB-101, rear view
5
Audio interface
2
Guitar or bass amplifier
4
DAW with TORPEDO Remote
5
Master clock
4.1
Step one: recording the dry signal
There are several options to get your amplifier’s dry signal with the TORPEDO VB-101:
1. Using the PRE SIM output to get the direct analog signal before the first analog-to-digital stage
of the TORPEDO VB-101
2. Using the ANALOG line Out or AES/EBU-S/PDIF digital Out with a Dry/Wet or Wet/Dry Output
Mode configuration
24
Two Notes Audio Engineering
Torpedo VB-101