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Track 1 contents after real-time recording, Mixer mode settings, Track 1 real-time recording variations – Casio PX410R User Manual

Page 55

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E-53

Song Memory Function

Track 1 Contents After Real-time
Recording

In addition to keyboard notes and accompaniment chords,
the following data is also recorded to Track 1 during real-
time recording. This data is applied whenever Track 1 is
played back.

• Tone number
• Rhythm number
• INTRO/ENDING 1 button, INTRO/ENDING 2 button,

VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2
button, SYNCRHO/FILL-IN NEXT button operations

• Pedal operations

The following data is recorded in the header whenever you
start a recording of a track.

• Mixer settings of other tracks
• Effect type
• Accompaniment volume
• Reverb Level
• Chorus Level
• DSP Hold On/Off
• Mixer Hold On/Off
• Pitch bend wheel operation
• Pitch bend range

Mixer Mode Settings

Channel 1 Mixer parameters (page E-39) are automatically
recorded to Track 1. You can use the Mixer to change each of
the parameters.

Memory Capacity

The digital piano has memory for approximately 10,000 notes.

• The measure number and note number flash on the display

whenever remaining memory is less than 100 notes.

• Recording automatically stops (and auto-accompaniment

and rhythm stops playing if they are being used) whenever
memory becomes full.

• Initially, nothing is stored in song memory.

Memory Data Storage

• Whenever you make a new recording, anything previously

stored in memory is replaced.

• Turning off the digital piano while a record operation is in

progress causes the contents of the track your are currently
recording to be lost.

• You can save memory data to SD memory cards, if you

want. See “Saving Data” on page E-80 for more information.

• Remember that you can dump memory contents to a

computer using the procedure described under “Internet
Data Expansion System” on page E-79.

Track 1 Real-time Recording
Variations

The following describes a number of different variations you
can use when recording to Track 1 using real-time recording.
All of these variations are based upon the procedure described
under “To record with real-time recording” on page E-52.

To start recording with synchro start

In place of step 4, press the SYNCHRO/FILL-IN NEXT
button. Auto-accompaniment and recording will both start
when you play a chord on the accompaniment keyboard.

To record using an intro, ending, or fill-in

During recording, the INTRO/ENDING 1/2, SYNCHRO/
FILL-IN NEXT, and VARIATION/FILL-IN 1/2 buttons
(pages E-34 to 35) can all be used as they normally are.

To synchro start Auto Accompaniment with an intro
pattern

In place of step 4, press the SYNCHRO/FILL-IN NEXT button
and then INTRO/ENDING 1 or INTRO/ENDING 2 button.
Auto-accompaniment will start with the intro pattern when
you play a chord on the accompaniment keyboard.

To start Auto Accompaniment part way into a recording

In place of step 4, press the SYNCHRO/FILL-IN NEXT button
and then play something on the melody keyboard to start
recording without Auto Accompaniment. When you reach
the point where you want accompaniment to start, play a
chord on the accompaniment keyboard to start Auto
Accompaniment.

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