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The d beam controller (p. 34), Switches the d beam controller on/off (p. 34), Controller (p. 34) – Roland VK-8 User Manual

Page 34: Using the d beam controller, To produce common organ, Effects” (p. 34) and “assigning

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34

Playing the Organ

Using the D BEAM Controller to Produce
Common Organ Effects

You can apply various effects to the sound only by moving your hand over the D

Beam Controller on the VK-8 panel.

fig.01-34

1

Press D BEAM [ON] button to make its indicator light.

The D Beam Controller will be on.

2

Use the D Beam button to select the effect that you want to control using

the D Beam.

The effect assigned to the D Beam controllor will be switched each time you press

the [D BEAM] button.

The following effects can be applied using the D Beam controller:

Effects

Explanation

CRESCENDO

As you move your hand closer to the D Beam con-
troller, the volume of all harmonic bars will grad-
ually increase. When your hand is closest to the D
Beam controller, the harmonic bar volumes will be
at maximum, and the rotary will switch to FAST.

ROTARY SPEED

The rotary effect will switch between slow and
fast each time you position your hand over the D
Beam controller.

RING MODULATOR

When you position your hand over the D Beam
controller, the ring modulator will be applied (p.
35). As you bring your hand closer to the D Beam
controller, the ring modulator depth will change.

TONE WHEEL BRAKE

Moving your hand over the D Beam will turn on
the wheel brake. When you take your hand away
from the D Beam controller, the wheel brake will
be turned off (p. 35).

SPRING SHOCK

Moving your hand near the D Beam controller will
produce the sound of a spring reverb unit being
jarred (p. 35).

1

3

2

If ROTARY SPEED is assigned

to the D Beam, you can move

your hand over the D Beam to

make the rotary effect change

gradually from slow to fast, or

from fast to slow (p. 57).

The volume of the spring

shock can be adjusted with the

[REVERB] knob. The spring

shock is particularly effective if

“SPRING” is selected as the

reverb type (p. 37).