Roland CD-2 - Manual (Page 89)

89
Reference
Patch Name Function
Unison VOX Adds a octave down voice to the vocal.
M&F Duet Adds a female voice and a male voice to the vocal.
VOX Detune Adds a detune voice to the vocal.
CHIPS & MUNK Pitch shifting effect that raises the octave of the voice.
Deep Voice Pitch shifting effect that lowers the octave of the voice.
■ GTR (Guitar/Bass Group)
Patch Name Function
JC Clean Roland JC-120. Use chorus on the mixdown.
Rock Lead Straight-ahead distortion sound with delay.
TW Clean American-made vacuum tube combo amp from the black-face period.
TEXAS Driven sound of an American-made vacuum tube amp from the 50’s.
Driven Lead Replica of a British combo amp modified for high gain.
Metal Lead Large vacuum tube amp popular for American heavy metal.
SWEET LEAD Large vacuum tube amp stack popular in British hard rock of the 70’s.
Delayed Lead Straight-ahead distortion sound with delay.
80’s Hard Powerful high-gain metal sound.
90’s Metal Large vacuum tube amp popular for American heavy metal.
7TH STRINGS? The sound of a large vacuum tube amp for heavy metal using a seven-string guitar.
JAZZ GT The sound of a vacuum tube combo amp.
PH CRUNCH Natural-sounding crunch distortion.
JET FLANGER Distortion with a metallic-sounding flanging effect.
AC SimCuttin A tone with a strong attack that won’t get buried by other instruments in the band.
ACOUSTY Use this with a humbucking pickup guitar to obtain the tone of an acoustic guitar.
AC Sim Lead Use this with a single-coil pickup guitar to obtain the tone of an acoustic guitar.
Brite Acustc Simulates the sound of the pickups installed in an electric-acoustic. A compressor is lightly applied to the attack.
Tight Bass Transforms an electric guitar into a crisp-sounding bass guitar.
Loose Bass Transforms an electric guitar into the sound of a bass guitar strung with heavy strings.
A.GTR Fat Simulates a fat-sounding acoustic guitar.
A.GTR LEAD Simulates an acoustic guitar suitable for lead playing.
MIC’D ACUSTC Produces the sound of an acoustic guitar recorded through a mic.
WIDE ACUSTC Simulates an acoustic guitar with a wide left/right spatial spread.
SLAP’n POP Hard-compressed sound suitable for slap playing.
FRETLESS B. Simulates a fretless bass.
PHASE BASS Produces the sound of a bass with a phaser effect applied.
FLANG BASS Produces the sound of a bass with a flanger effect applied.
STD BASS Produces the vintage sound of an early transistor amp.
DRIVIN’ BASS A large double-stack vacuum tube amp with a distinctive ultra-low sound and edge.
JC-120+COMP An algorithm for simultaneously recording a guitar sent through the JC-120 together with a vocal.
CRUNCH+COMP Suitable for simultaneously recording a crunch sound with natural distortion together with a vocal.
BLUES+COMP Suitable for simultaneously recording a midrange lead sound suitable for blues together with a vocal.
HVY CM + VO Suitable for simultaneously recording the Liverpool sound of the 60’s together with a vocal.
S-PZO+DL EFX Suitable for simultaneously recording an electric-acoustic pickup simulation together with a vocal.
SIM+50msDL Suitable for simultaneously recording the sound of a large-bodied acoustic guitar together with a vocal.
SIM+HVY CM Suitable for simultaneously recording an acoustic guitar with a strong attack together with a vocal.
H-ENH+LNG DL Suitable for simultaneously recording an acoustic guitar sound together with a vocal with a long delay applied.
Effect Patch List
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