KORG TRITON Le Electric Keyboard - Manual (Page 165)

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2–3. Sampling mode (if the separately sold EXB-
SMPL option is installed)
You can sample sound while applying the Insert Effects to
the signal input from AUDIO INPUTs 1 and 2.
Use “BUS (IFX) Select” (SMPL 1.1–3a) to set Inputs 1/2, and
the buses by selecting from L/R, IFX, and Off. You cannot
select
1, 2, or 1/2 (output to OUTPUTs 1, 2).
In the following example, input signals at Inputs 1 and 2 are
routed to IFX. The Insert effect parameters are set in “SMPL
7.1: Insert Effect” and the Insert effect is applied to the input
signals for sampling.
2–4. Audio Input (if the separately sold EXB-SMPL
option is installed)
In Program, Combination and Sequencer modes, you can
apply the Insert Effect, Master Effects and Master EQ to the
signals input from AUDIO INPUTs 1 and 2. These signals
are routed to the TRITON Le’s effect, according to the GLO-
BAL 1.1: System, Audio In page setting.
Use “BUS (IFX/Indiv.) Select” (GLOBAL 1.1–4a/b) to set
Inputs 1/2 buses by selecting from L/R, IFX, 1, 2, 1/2, and
Off
.
“Send1” and “Send2” become effective only when “BUS
(IFX/Indiv.) Select” (GLOBAL 1.1–4a/b) is set to L/R or Off.
If IFX is selected, use “S1 (Send1(MFX1))” and “S2
(Send2(MFX2))” for the post-IFX signal (☞“3. Mixer”).
This setting is ignored in Sampling mode. Refer to “2–3.
Sampling Mode” for information on the Sampling
mode settings.
Use “7.1: Ed–InsertFX ( or Insert FX)” in Program, Combina-
tion, or Sequencer mode to set up the Insert Effect. You can
apply 2-in/4-out effects to the incoming signal from Inputs 1
and 2. You may also combine these signals with the internal
sound.
3. Mixer
For each mode, use 7.1: Ed-InsertFX (or Insert FX) Setup
page parameters “Pan (CC#8),” “BUS Select,”“S1
(Send1(MFX1)),” and “S2 (Send2(MFX2))” to specify the
pan, bus select, and the send levels to master effects MFX1
and MFX2 for the signals that have passed through the
insert effect.
In Sampling mode (if the separately sold EXB-SMPL
option is installed), you cannot use the Master Effects or
route signals to INDIVIDUAL 1and 2. You can set only
the pan setting for the post-IFX signals.
3–1. Pan (CC#8)
Specifies the pan after passing through the insert effect.
If the insert effect is a Stereo In–Stereo Out type (☞”In/
Out”), setting this parameter to C064 will allow the “Pan”
settings of the oscillator (PROG 5.1–1, PROG 5.2–1), timbre
(COMBI 1.1–3, 2.1–2), track (SEQ 1.1–4/5) or audio input (if
the separately sold EXB-SMPL option is installed, SMPL 1.1–
3, GLOBAL 1.1–4) to be used.
If the insert effect is a Mono In-Stereo Out or Mono In-
Mono Out
type (☞“In/Out”), the “Pan” of the oscillator,
timbre, track, or audio input (if the separately sold EXB-
SMPL option is installed) will be ignored, and the sound
will always be panned to the center. In this case, the “Pan
(CC#8)” (7.1–1) that follows the insert effect will determine
the final panning. L001 is far left and R127 is far right.
You can control these parameters via MIDI Control
Change CC#8.
OSC1: Amp1 Pan=L001
OSC2: Amp2 Pan=R127
Left Center Right
Post IFX Pan(CC#8)
C064
Left Center Right
L032
L000
R096
R127
Insert Effect = Stereo In - Stereo Out
Left Center Right
Left Center Right
OSC1 OSC2
OSC1: Amp1 Pan=L032
OSC2: Amp2 Pan=R096
Post IFX Pan(CC#8)
C064
L032
L000
R096
R127
OSC1: Amp1 Pan=L001
OSC2: Amp2 Pan=R127
Left Center Right
Post IFX Pan(CC#8)
C064
Left Center Right
L032
L000
R096
R127
Insert Effect = Mono In - Stereo Out
OSC1 OSC2
Mono In - Mono Out