Downmix, Surround to stereo, Stereo to mono – Studio Technologies 76DA V.4.12 User Manual
Page 40

Issue 9, May 2014
Model 76DA/77 User Guide
Page 40
Studio Technologies, Inc.
for Surround
management function requires the source 
to have a sample rate of 44.1, 48, 88.2, or 
96 kHz.) Selecting a source with a sample 
rate of 44.1, 48, 88.2, or 96 kHz will re-
solve the issue and normal operation will 
resume. Refer to the Technical Notes sec-
tion of this guide for additional details.
Downmix
Two downmix functions allow users to per-
form “real-world” audio format compatibility 
checks. One function allows a surround 
(5.1) signal to be “folded down” (mixed) to 
stereo. The other allows a stereo signal to 
be converted to mono. Using the downmix 
functions simply requires pressing the de-
sired button. The buttons are set to always 
“latch” the functions on and off. An LED is 
located adjacent to each button and lights 
whenever its respective function is active. 
The downmix functions always impact the 
post-fader surround and stereo digital and 
analog monitor outputs. And, depending on 
the selected configuration, they may also 
impact the pre-fader surround digital moni-
tor output.
A specific downmix function can only be 
enabled when it is applicable for the cur-
rently selected input source. This means 
that the surround to stereo downmix func-
tion can only be enabled when surround 
input A or B is selected. 
The Model 77 associates the state of 
the downmix functions with the currently 
selected input. For example, if surround 
input A is the selected input source and 
the surround to stereo downmix function 
is enabled, this condition will be “remem-
bered” when switching to one of the stereo 
input sources. Upon returning to surround 
input A, the surround to stereo downmix 
function will again become active.
Surround to Stereo
When the surround to stereo downmix 
function is enabled the LS, RS, and C 
channels associated with a surround 
source are combined (“folded down”) 
with the L and R signals to create a 2-
channel stereo (left and right) signal. 
And, depending on the system’s con-
figuration, the LFE channel may also be 
combined with the L and R signals. The 
resulting stereo signal, sometimes known 
as LtRt, is routed to the L and R post-fader 
surround digital and analog monitor output 
channels. Also, whenever the surround to 
stereo downmix function is enabled the C, 
LS, RS, and SUB digital and analog moni-
tor output channels are muted. By utilizing 
this downmix function phase relationships 
and inter-channel level issues can be 
quickly observed.
Stereo to Mono
The stereo to mono downmix function 
combines the L and R audio channels to 
create a single-channel monaural signal. 
This signal is sent out the C surround 
digital and analog monitor output channels 
while the L, R, LS, RS, and SUB digital 
and analog monitor output channels are 
muted.
When a surround source has been select-
ed for monitoring, the surround to stereo 
downmix function will automatically enable 
whenever the stereo to mono downmix 
function is enabled. This ensures that an 
operator will hear a mono signal created 
by folding down all channels associated 
with the selected surround input.
