Analog monitor outputs – Studio Technologies 76DA V.4.12 User Manual
Page 12

Issue 9, May 2014
Model 76DA/77 User Guide
Page 12
Studio Technologies, Inc.
for Surround
full-level digital audio signal source that 
is post-SRC and input delay in the signal 
chain.
Post-Fader Surround Digital Monitor 
Output
The post-fader surround digital monitor out-
put channels are designed for connection 
to digital inputs on audio amplifiers associ-
ated with monitor loudspeakers. Alternately, 
they could be connected to the inputs of 
loudspeakers that contain integrated ampli-
fiers with digital audio input capability.
Post-Fader Stereo Digital Monitor 
Output
The post-fader stereo digital monitor output 
channels are intended to support a stereo 
loudspeaker system, either by connecting 
to the digital input of an amplifier associ-
ated with a set of loudspeakers or directly 
to a set of amplified speakers that provide 
digital inputs.
Analog Monitor Outputs
The connector labeled Analog Monitor 
Outputs provides access to the Model 
76DA’s 6-channel (5.1) surround and 
2-channel stereo analog monitor outputs. 
The surround analog monitor output chan-
nels are intended to connect to analog 
inputs associated with the surround loud-
speaker system incorporated in a facility. 
The stereo analog monitor output allows 
support for a secondary set of stereo moni-
tor loudspeakers.
The analog monitor output channels are 
designed for connection to audio amplifiers 
associated with monitor loudspeakers or 
to the inputs of loudspeakers that contain 
integrated amplifiers. The analog monitor 
outputs are electronically balanced and 
will perform optimally when driving loads 
of 2000 (2 k) ohms or greater. In most ap-
plications 3-pin male XLR connectors will 
be used to interface with the inputs on the 
associated amplifiers or amplified speakers. 
In this case the + terminal would go to pin 2 
of the XLR, the – terminal to XLR pin 3, and 
the shield terminal to XLR pin 1. 
Balanced operation of the analog monitor 
outputs is the preferred connection method 
but unbalanced operation does not pose a 
problem. To connect to an unbalanced load 
connect the + terminal as signal high, and 
only the Model 76DA’s shield terminal as 
the signal low/shield. Leave the – terminal 
unconnected. For correct unbalanced 
operation, it is important not to connect 
– and shield together.
The wiring scheme used by the D-sub-
miniature connector complies with that 
made popular by TASCAM with their DA-88 
product. A wiring assembly prepared for 
the Model 76DA’s analog monitor outputs 
TASCAM® Signal
Signal
Connections
Channel High (+)
Low (–)
Shield
Pre-Fader L/R
1
24
12
25
Pre-Fader C/SUB
2
10
23
11
Pre-Fader LS/RS
3
21
9
22
Stereo Input C Direct 4
7
20
8
Post-Fader L/R
5
18
6
19
Post-Fader C/SUB
6
4
17
5
Post-Fader LS/RS
7
15
3
16
Post-Fader Stereo
8
1
14
2
Notes: 1) All signals transformer-coupled digital audio; 
 
selectable for balanced or unbalanced AES3
compatibility.
2) Connector type on Model 76DA is 25-pin female
D-subminiature (DB-25F). Installer must provide male
(DB-25M). Connector uses 4-40 threaded inserts for
locking with mating plug.
3) Wiring scheme follows TASCAM DA-88 convention.
Standard DA-88-type wiring harnesses are directly
compatible, with the possible exception of 4-40 screw
threads being required.
Figure 4. Connections for Digital Monitor Outputs
