Doepfer Pocket Electronic - Manual (Page 17)

User's Guide Pocket Electronic Page 17
Appendix 1: Detailed description of the factory presets
Presets 1 ~ 4 use a single controller type, with each knob relating to it’s corresponding MIDI channel, this allows full
control of 16 parts within a multitimbral sound generator, or realtime mixing in sequencer automation:
Preset 1 Volume Controller 7 Channels 1- 16
Preset 2 Panorama Controller 10 Channels 1- 16
Preset 3 Cutoff Channel Controller 74 Channels 1- 16
Preset 4 Resonance Controller 71 Channels 1- 16
Presets 5 ~ 8 use two controllers, one across the top row of knobs and the other across the bottom row. With
Preset 4, the top row is MIDI controller 7 (Volume) with the MIDI channel corresponding to the knob number, whilst
the lower row is MIDI controller 10 (Pan) on the same channel as the knob above it, hence knob 9 is channel 1,
knob 10 is channel 2 etc. Preset 5 follows the same idea except the MIDI channel is channels 9 to 16, so the actual
MIDI channel relates to the lower knob numbers. Preset 6, again follows the same idea as Preset 4 except the top
row is MIDI controller 74 (Filter Cut off ) and the lower row is controller 71 (Filter Resonance), and finally Preset 7 is
the same as Preset 6 except the channels are 9-16.
Preset 5 Volume/Pan Controller 7/10 Channels 1- 8
Preset 6 Volume/Pan Controller 7/10 Channels 9- 16
Preset 7 Cutoff /Resonance Controller 74/71 Channels 1- 8
Preset 8 Cutoff/Resonance Controller 74/71 Channels 9- 16
Presets 9 ~ 16 are general controller sets, which transmit on the Master Channel. Where the receiving MIDI device
can be programmed to any controller it can receive, these presets maybe the only presets needed, although preset
8 is perhaps best avoided for general use as it includes controller 0 (could trigger MIDI program bank changes) and
controller 1 which is the mod wheel, although of course there may be instances when MIDI controller 1 is required,
such as adding a modulation wheel function to a keyboard (such as a digital piano). Preset 12 also needs to be
used with caution, as controller 64 is defined as the sustain/damper pedal function, and most devices will always
receive this controller as Damper or Hold.
Preset 9 general controllers Controllers 0 - 15 Masterchannel
Preset 10 general controllers Controllers 16 - 31 Masterchannel
Preset 11 general controllers Controllers 32 - 47 Masterchannel
Preset 12 general controllers Controllers 48 - 63 Masterchannel
Preset 13 general controllers Controllers 64 - 79 Masterchannel
Preset 14 general controllers Controllers 80 - 95 Masterchannel
Preset 15 general controllers Controllers 96 - 111 Masterchannel
Preset 16 general controllers Controllers 112 - 127 Masterchannel
Preset 17 has the top row of knobs transmitting relevant NRPN controller data for GS/XG instruments, and the
lower row is general controllers:
Preset 17 GS/XG general controls NRPN/controllers Masterchannel
Input 1 Filter Cutoff NRPN
Input 2 Filter Resonance NRPN
Input 3 Vibrato Rate NRPN
Input 4 Vibrato Depth NRPN
Input 5 Vibrato Delay NRPN
Input 6 EG- Attack NRPN
Input 7 EG Decay NRPN
Input 8 EG Release NRPN
Input 9 Pitch Bend PitchBend
Input 10 Modulation Controller 1
Input 11 Portam.Time Controller 5
Input 12 Reverb Send Controller 9
Input 13 Chorus Send Controller 93
Input 14 Delay/Var Send Controller 94
Input 15 Pan Controller 10
Input 16 Volume Controller 7