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Names and functions of parts – Pioneer DJM-700-S User Manual

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NAMES AND FUNCTIONS OF PARTS

10

En

13 Channel equalizer mid-range adjust dial (MID)

Use to adjust the mid-range frequency sound for each channel.
(adjustable range: –26 dB to +6 dB)

14 Channel equalizer low-range adjust dial (LOW)

Use to adjust the bass (low-range) frequency sound for each
channel. (adjustable range: –26 dB to +6 dB)

15 Channel level indicator

Displays the current level for each channel, with two-second peak
hold.

16 HEADPHONES CUE buttons/indicators

These buttons are used to select from

1

to

4

,

MASTER

, or

EFFECTS

, to allow you to monitor the desired source through

headphones. If multiple buttons are pressed simultaneously, the
selected audio sources are mixed. Press the button once more to
cancel the selected source. Unselected buttons glow darkly, while
selected source buttons light brightly.

17 Fader start button/indicator (FADER START CH-1, CH-2)

Enables the fader start/back cue function for the channel to which
a DJ CD player is connected. The button lights when set to ON.
When enabled, the operation differs depending on the setting of
the

CROSS FADER ASSIGN

switch.

• When the

CROSS FADER ASSIGN

switch is set to the [

A

] or [

B

]

position, fader start button operation is linked to the operation of
the cross fader (and unlinked to channel fader).

• When the

CROSS FADER ASSIGN

switch is set to the [

THRU

]

position, fader start button operation is linked to the operation of
the channel fader (and unlinked to cross fader).

18 Channel fader lever

Use to adjust sound volumes for each channel. (adjustable range:

to 0 dB)

Output is in accordance with the channel fader curve selected
with the

CH FADER

curve switch.

19 CROSS FADER ASSIGN switch

This switch assigns each channel’s output to either right or left
side of the cross fader (if multiple channels are assigned to the
same side, the result will be the combined sum of the channels).

A:

The selected channel is assigned to the cross fader’s A (left) side.

THRU:

The channel fader’s output is sent as is to the master output,
without being passed through the cross fader.

B:

The selected channel is assigned to the cross fader’s B (right) side.

20 Channel fader curve switch (CH FADER)

This switch allows the user to select from two types of channel
fader curve response. This setting is applied equally to channels
1 to 4.

• At the left setting, the curve operates to produce a rapid rise as

the channel fader approaches its distant position.

• At the right setting, the curve operates to produce an even,

neutral rise throughout the channel fader’s movement.

21 Cross fader curve switch (CROSS FADER)

This switch allows the user to select from three types of cross fader
curve response.

• At the left setting, the curve produces a rapid signal rise. (As

soon as the cross fader lever leaves the [

A

] side, the [

B

] channel

sound is produced.)

• At the right setting, the curve operates to produce an even,

neutral rise throughout the cross fader’s movement.

• At the middle setting, an intermediate curve is produced,

midway between the two curves noted above.

22 Cross fader lever

Outputs sound assigned to [

A

] and [

B

] sides in accordance with

setting of the

CROSS FADER ASSIGN

switch, and subject to the

cross fader curve selected with the

CROSS FADER

curve switch.

23 Master output level dial (MASTER LEVEL)

Use to adjust the master output level. (adjustable range: –

to

0 dB)
The master output is the sum combination of the sound from
channels set to [

THRU

] with the

CROSS FADER ASSIGN

switch;

the signal passed through the cross fader; and the signals from
microphone 1 and microphone 2 (if the effect selector is set to
[

SND/RTN

], the

RETURN

input is also added).

24 Master level indicator (MASTER L, R)

These segment indicators display the output level from L and R
channels. The indicators have a two-second peak hold.

25 Master balance dial (BALANCE)

Use to adjust the L/R channel balance for master output, booth
monitor output, recording output, and digital output.

26 Master output MONO/STEREO selector switch

When set to the [

MONO

] position, master output, booth monitor

output, recording output, digital output are all produced in L+R
monaural.

27 BOOTH MONITOR LEVEL control dial

This dial is used to adjust the booth monitor output volume.
The volume can be adjusted independently of the master output
level. (adjustable range: –

to 0 dB)

28 Headphones output switch (MONO SPLIT/STEREO)

MONO SPLIT:

When

HEADPHONES CUE

(

1

,

2

,

3

,

4

or

EFFECTS

) button is

selected, the selected audio is output to the L channel. When

HEADPHONES CUE

(

MASTER

) button is selected, the master

audio is output from the R channel.

STEREO:

The audio source selected with the

HEADPHONES CUE

button is

output in stereo.

29 Headphones mixing dial (MIXING)

When rotated clockwise (toward [

MASTER

]), the master output

audio is produced at the headphones (only when [

MASTER

] has

been selected with the

HEADPHONES CUE

button); when rotated

counterclockwise (toward [

CUE

]), the headphones output

becomes the mixture of the effect monitor and the channel
selected with the

HEADPHONES CUE

button.

In the middle position, the audio from [

MASTER

] and [

CUE

] will be

output.

30 Headphones level adjust dial (LEVEL)

Adjusts the output level of the headphones jack. (adjustable range:

to 0 dB)

01_DJM-700_En.book 10 ページ 2007年7月10日 火曜日 午後8時41分

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