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Insertion effect 2 – Yamaha EX5 EN User Manual

Page 35

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Insertion Effect 2

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Effect Type

thru

Chorus 1

Chorus 2

Chorus 3

Chorus 4

Chorus 5

Celeste 1

Celeste 2

Celeste 3

Celeste 4

Flanger 1

Flanger 2

Flanger 3

Symphonic

Delay L,C,R

Delay L,R

Echo

Cross Delay

Rotary Sp 1

Rotary Sp 2

Tremolo

Auto Pan

Ambience

Phaser 1

Phaser 2

Early Ref 1

Early Ref 2

Gate Reverb

Reverse Gate

Karaoke 1

Karaoke 2

Karaoke 3

Auto Wah

Touch Wah

A.Wah+Dist

A.Wah+Overdr

T.Wah+Dist

T.Wah+Overdr

Distortion

Overdrive

AmpSimulator

Compressor

Comp Dist

Exciter

Noise Gate

Rev Hall 1

Rev Hall 2

Rev Room 1

Rev Room 2

Rev Room 3

Rev Stage 1

Rev Stage 2

Rev Plate

PitchChange1

PitchChange2

Ensemble

Voice Cancel

2 Band EQ

3 Band EQ

Ctrl Delay 1

Ctrl Delay 2

DPCM

V-Distortion

V-Flanger

Talking Mod

Beat Change

D.Scratch

Auto Synth

Tech Mod

LoResolution

Noisy

Attack LoFi

D.Turntable

Jump

Wah+Dist+Dly

Wah+Odrv+Dly

Cmp+Dist+Dly

Cmp+Odrv+Dly

Dist + Delay

Odrv + Delay

Remarks

Turns off the effect.

Conventional chorus effect which gives natural spaciousness to the sound.

A three-phase LFO is used to give modulation and spaciousness to the sound.

An effect reminiscent of a jet airplane taking off and landing.

A multi-stage version of CELESTE modulation.

Three delay sounds L, R and C (center).

Two delay sounds L and R, with two feedback delays.

Two delays L and R, with independent feedback delay for L and R.

This effect crosses the feedback of two delays.

Simulation of a rotary speaker. Can be used to control the rotation speed by assigning it to a controller.

An effect which cyclically modulates the volume.

An effect which cyclically moves the sound between left/right and front/back.

An effect which adds spatial breadth by blurring the location of the sound.

Cyclically changes the phase to modulate the sound.

This effect isolates only the early reflection components of the reverb.

Simulation of gated reverb.

Simulation of gated reverb played back in reverse.

Echo for karaoke.

Cyclically changes the center frequency of a wah filter. Can be used as a pedal wah by assigning it to a controller.

Changes the center frequency of a wah filter according to the input level. Can be used as a pedal wah by assigning it to a controller.

Applies DISTORTION to the output of AUTO WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller.

Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller.

Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller.

Changes the center frequency of a wah filter according to the input level. Can be used as a pedal wah by assigning it to a controller.

Adds distortion with an edge to the sound.

Adds mild distortion to the sound.

Simulation of a guitar amp.

Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.

Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level.

This effect adds new overtones to the input signal to make the sound stand out.

Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.

Reverb simulating the acoustics of a hall.

Reverb simulating the acoustics of a room.

Reverb appropriate for a solo instrument.

Reverb simulating a metal plate reverb device.

This effect changes the pitch of the input signal.

Chorus effect without modulation, created by adding a slightly pitch-shifted sound.

Attenuates the vocal part from sources such as CDs.

Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.

Stereo EQ with equalization of LOW, MID and HIGH.

A delay with controllable delay time.

Distortion simulated the vintage tube and fuzz.

Degrades the audio quality of the input signal.

Simulated analog flanger. Random can be selected for the LFO wave.

Adds a vowel sound to the input signal.

Modifies the waveform length of the sound in realtime. Use in conjunction with a controller.

Adds a scratch sound to the input signal.

Processes the input signal into a synthesizer-type sound.

Adds a unique feeling of modulation similar to ring modulation.

Simulates a lowered resolution for the input signal. The phase of the Rch can be inverted.

Adds a feeling of noise to the input signal.

Creates a somewhat LoFi feeling, and emphasizes the attack of the sound. Also has the feel of a flanger.

Simulates the noise of an analog record.

Cuts apart the input signal and applies extreme modulation to the playback order or speed.

TOUCH WAH, DISTORTION and DELAY are connected in series.

TOUCH WAH, OVERDRIVE and DELAY are connected in series.

COMPRESSOR, DISTORTION and DELAY are connected in series.

COMPRESSOR, OVERDRIVE and DELAY are connected in series.

DISTORTION and DELAY are connected in series.

OVERDRIVE and DELAY are connected in series.