Roland FR-7/FR-5 - Manual (Page 24)

Setting up | Using the orchestral sounds
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FR-7/FR-5 V-Accordion
Using the orchestral sounds
Your FR-7/FR-5 also contains PCM sounds (samples) of various instruments that are not related to accordion sounds.
Those sounds allow you to expand your musical endeavours without using external MIDI devices. Of course, you are free
to add external MIDI tone generators to your setup and to control them from your FR-7/FR-5. See page 66 for details. Let
us first look at how to use the on-board orchestral sounds, however.
The FR-7/FR-5’s Orchestra functionality actually com-
prises two sections: one for the Treble keyboard (called
“Orchestra”) and another for the Bass buttons (called
“Orchestra Bass”).
You can specify for each keyboard whether the orches-
tral sounds should be used alongside the accordion
sounds (so that each note or chord you play results in a
combination of accordion + instrument sound) or in
isolation (no accordion).
Orchestral sounds for the Treble section
Note: Only one orchestral sound can be selected at any one time.
(1) Press the [ORCHESTRA] register.
The display now responds with:
The arrow moves from the TREBLE to the ORCH line.
By pressing a register, you therefore select an
Orchestra sound.
Let us quickly analyze the information you get on
this page:
• “SOLO” means that the mode of the same name is
currently selected (there are four different modes,
see below).
• “CANCEL” means that the Orchestra part is not active.
If you play on the Treble keyboard, you only hear the
Treble accordion sound.
To activate the Orchestra part at this stage, you need
to select a sound (see below).
• The TREBLE field contains a keyboard icon. It means
that the Treble keyboard is assigned to the Treble
accordion part. The ORCH field, on the other hand,
contains no keyboard icon, which confirms the “CAN-
CEL” message.
• The sound name (“Celeste”) refers to the register that
was selected for the TREBLE section’s accordion part.
(2) Press one of the registers to select the desired
Orchestra sound (see the names below the Treble
registers).
This activates the Orchestra part. The display now
changes (the sound name may be different on your
instrument):
Compare the information discussed above with what
you see now:
• There’s a sound name next to the ORCH field
(“Ac Guitar”). That’s the sound you’ll hear when you
play on the Treble keyboard.
• The keyboard icon has moved from the TREBLE to the
ORCH field.
The 22 available Orchestra sounds and associated
registers are:
The first nine registers allow you to select two sounds
(“A” and “B”). To select a “B” sound, press the corre-
sponding register again.
If you select a “B” sound (5B “Pizzicato”, for example),
then press another register (12 “AcGuitar”) and again
the first register (5), the FR-7/FR-5 automatically
recalls the “B” sound (“Pizzicato”). This “configura-
tion” is retained until you switch the FR-7/FR-5 off. If
you need the 5A “Violin” sound at this stage, you
need to press register [5] once more.
Orchestral Treble sounds
1A Trombone 7A HighLand*
[*] See “About the “HighLand” and “Zampogna”
sounds” on p. 25.
1B Trumpet 7B Zampogna*
2A Tenor Sax 8A PercOrgan
2B Alto Sax 8B JazzOrgan
3A Clarinet 9A RotOrgan
3B Oboe 9B TremOrg
4A Harmonica 10 ScatVoice
4B Mute Harm 11 Mandolin
5A Violin 12 AcGuitar
5B Pizzicato 13 AcPiano
6A Flute
6B Pan Flute