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Operation, Direct access controls – Harman-Kardon HA160-0004-A User Manual

Page 45

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Operation

41

Signature 2.0

The complete list of modes, and mode groups is found in

Appendix C, but in general, the groupings are as follows:

• Movie modes are based on standard matrix decoding,

and modify system parameters, such as the amount of

front left/right sound fed to the rear channels and

various timing components, to provide different sonic

interpretations of movie theater spaces. Standard

Dolby Pro Logic is always available in this group, as

are the Dolby Digital and DTS modes, if appropriate.

• Music modes provide a number of options that

simulate various room spaces with regard to delay

timing, room wrap and other surround parameters.

Experiment with these modes on conventional two-

channel “stereo” recordings to take advantage of the

natural ambiance that is present in all recordings to

see how two channels can be made to sound like five.

Pro Logic is available here to accommodate surround

encoded music recordings. The Dolby Digital or DTS

modes are available when their data is present. To

listen to a source in pure mono, with the same signal

emanating from both the left and right speakers,

select Mono.

• Mono + is an enhancement mode that takes

single channel recordings and processes them into

a realistic soundfield that sends signals to all five

output channels. Use this mode to bring life to old

mono recordings or broadcasts.

• Stereo is an intelligent mode that sends a two-channel

signal to the front left and right channels only. The

2.0’s custom processing enables the unit to sense if

the input is digital or analog, and act accordingly.

An important feature of the 2.0’s stereo mode is

that when an analog input is in use, pressing the

Stereo

button y will not only direct the sound

as requested, it will turn off the digital surround

circuits to remove the possibility of any processor

noise leaking into the outputs.

To select a mode at any time during a listening session,

press the remote control

Surround Mode Selector

button y for the mode grouping you wish to choose

from. Each press of the button will move to the next

“legal” mode, as indicated by the changing mode on the

lower left side of the front panel

Information Display

or in the upper left corner of the on-screen display.

You may also change the surround mode by pressing

the

Surround Selectors

4 on the front panel.

When using the front panel buttons, the unit will scroll

up or down through the complete list of modes that is

available for the type of input source selected.

IMPORTANT NOTE: When a surround mode is

changed using the remote keys or front panel y 4,

the change remains in effect only as long as the input

source remains the same. When the input source is

changed, the 2.0 will switch to the mode that was

previously set as the default for the new input using

the Source Menu. In addition, if you switch back

o the previous input, the default mode will also be used.

If you find that you prefer a different mode than the one

programmed as the default for any input, you may

change the default using the instructions found

on page 28.

Direct Access Controls

When the 2.0 is first installed, the Effects Menu

(Figure OSD-8) enables you to choose the default settings

for Treble Cut, Bass Boost, Subwoofer Trim, Surround

and Channel Balance that will appear when a specific

input profile is selected. However, from time to time you

may wish to make a one-time change to one of these set-

tings to accommodate the specifics of a certain program.

The 2.0’s direct access controls enable you to make those

adjustments without going into the menu control system

and changing the standard defaults for a particular input.

It is important to note that all changes made with the

following controls will remain in effect only until the

input source is changed or the unit is turned off. If either

of those changes is made, when the previous surround

mode is selected again, or when the 2.0 is turned back

on, the settings established on a temporary basis will

be erased, and the preset defaults entered on the

Effects Menu

will be restored. To make permanent

changes to the default settings for any of the following

items, follow the instructions on page 30.

Treble Cut

This setting enables you to temporarily change the roll-

off of high-frequency sounds as shown in the graph in

Appendix C. You may find this useful when the program

you are listening to sounds overly harsh.