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Construction of the musical scale, Theory, Activity: setup – Casio EA-200 User Manual

Page 28

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20020601

English

Activity: Setup

Activity: Setup

2-8-1

í Equipment

Piano (Sound Source)

Computer (MIDI Sound Source)

Audio Measurement Setup (EA-200, graphic scientific calculator, data communication

cable)

í Setting Up

u Take care so there is no unwanted noise in the area where you are conducting the activity.

The purpose of this activity is to investigate the scale that is most commonly used for

Western-style music, and to listen to some of the consonance it can produce.

The pitch of a note is determined by its frequency, and the human ear perceives notes as

differences in frequency ratios, rather than differences in the relative amplitude of the

frequency.

The ratios of the 12-note mean scale used for most Western-style music is governed by a

number of restrictions. First, the frequency ratio of the same note from one octave to the

next is 2:1 (higher note to lower note). Each octave is divided into 12 parts, with the same

frequency ratio between each of the adjoining notes in the octave. The illustration below

shows each of the notes in an octave, on a piano keyboard.

The frequencies of this 12-note scale can be expressed as shown below.

f

n

= 2 f

0

f

0

(Hz) : Tonic Note Frequency

f

12

(Hz): Harmonic Frequency

fn

(Hz) : Frequency of

n

th Note (

n

= 1, 2, 3, ....12)

Generally, notes consist of sound waves of different frequencies and amplitudes. Producing

two notes of different pitches at the same time sounds pleasing to the human ear, and such

notes are said to be “consonant.” Two notes whose frequency ratio is the ratio of two simple

integers are very consonant.

Construction of the Musical Scale

Theory

1

Piano

2

Computer (MIDI
Sound Source)

3

EA-200

1

1 Octave (2:1 frequency ratio
between notes)

2

Tonic Note (Low Note)

3

Harmonic (High Note)

4

Adjacent Note (Note
Frequency Ratio = 2

(1/12)

)

1

Frequency (Hz)

2

Low Note

3

High Note

n

12

1

2

3