6 – tascam effects, Common parameters, Input – Teac DM-24 Effects Manual User Manual
Page 26: Output, Effect parameters, Input mix output
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TASCAM DM-24 Effects
6 – TASCAM effects
The general effects provided within the DM-24 as
described in “Internal Effects on the DM-24” on
page 3 may be used either as in-line inserted effects,
or as part of an effect loop, using aux send and
returns.
There are no hard and fast rules as to how these
effects can be used, but on the whole, any effect
where there is a wet/dry level is suitable for use
within effect loops, and the others are suitable for use
as insert processors.
Common parameters
There are three parameters on the top row of the
screen for all of these effects, using PODs 2, 3 and 4.
INPUT
stands for input level. The input level of the
signal fed to the effect is adjusted using this control.
MIX
is the wet/dry balance of the output. When set
to 0%, the output signal is composed totally of the
original signal, and at 100%, it is completely the
effect signal.
NOTE
There is a slight unavoidable processing delay on some
effects. If you are using the effect as an insert, you
should probably keep this setting at 100%.
OUTPUT
The output level from the effect can be
adjusted from
Off
, and then (in 5 dB steps): from
–140 dB to –60 dB, (in 1 dB steps) from –60 dB to
–20 dB and (in 0.1 dB steps) from –20 dB to 0 dB.
Effect parameters
The different parameters for use within these effects
are as follows:
Chorus
Rate
Depth
Pre- delay
Feedback
Wet Mix Level
Dry level
0.1 Hz to 10 Hz
(91 steps)
0% to 100%
(101 steps)
0.05 ms to
500 ms
(101 steps)
0% to 90%
(91 steps)
–40 dB to –0 B
(41 steps)
–40 dB to +20 dB
(61 steps)
De-esser
Threshold level
Knee shape
Center Frequency Output level
Bypass
–40 dB to –1 dB
(40 steps)
0.50 to 1.00
(11 steps)
1.0 kHz to 10 kHz
(91 steps)
–40 dB to _20 dB
(61 steps)
On/off
Delay
Delay Time
Feedback Time
Feedback Level
Feedback Type
Wet Mix Level
Output level
0.05 ms to
650 ms
(651 steps)
0.05 ms to
650 ms
(651 steps)
0% to 90%
(91 steps)
Stereo/
Ping-pong/
Multi-tap
–40 dB to –0 B
(41 steps)
–40 dB to +20 dB
(61 steps)
Distortion
Drive Ratio
Drive Boost
EQ Pattern
Output level
0 to 42
(43 steps)
x 1 to x32
(32 steps)
Overdrive 1/2,
Distortion 1/2,
Amp 1/2
–40 dB to +20 dB
(61 steps)
Exciter
Sense
Frequency
Output level
Bypass
0 to 42
(43 steps)
1.0 kHz to 10 kHz
(91 steps)
–40 dB to +20 dB
(61 steps)
On/off
Flanger
Rate
Depth
Resonance
Delay
Wet Mix Level
Dry level
0.1 Hz to 10 Hz
(91 steps)
0% to 100%
(101 steps)
0.00 to 1.00
(91 steps)
0.05 ms to
500 ms
(101 steps)
–40 dB to –0 B
(41 steps)
–40 dB to +20 dB
(61 steps)
Guitar Compressor
Ratio
Attack
Output level
Bypass
0 to 42
(43 steps)
0.1 ms to 5.0 ms
(50 steps)
–40 dB to +20 dB
(61 steps)
On/off
Phaser
Steps
LFO Rate
LFO Depth
Resonance
Output level
Bypass
1 to 16
(16 steps)
0.1 Hz to 10 Hz
(99 steps)
0% to 100%
(101 steps)
0% to 100%
(101 steps)
–18 dB to +12 dB
(31 steps)
On/off
Pitch
Semitone shift
Pitch Fine
Pre- Delay
Feedback
Wet Mix Level
Dry level
–12 to +12
(25 steps)
–50 to +50
(101 steps)
0.05 ms to
500 ms
(91 steps)
0% to 90%
(91 steps)
–40 dB to –0 B
(41 steps)
–40 dB to +20 dB
(61 steps)