Allen&Heath GS3000 - Manual (Page 12)

GS3000 U SER G UIDE 12
is sent to the tape multitrack input. Groups 1 to 8 are repeated across the
console tape outputs e.g. group 1 is on Tape Out 1, 9, 17 & 25.
MUTE – This turns the channel signal on or off. This mute can be controlled
by the automation system. This does not affect the Pre-Fade aux sends.
PFL – Press PFL (Pre-Fade Listen) to listen to the channel Pre-Fade signal
on headphones or control room speakers. The signal level is shown on the
L and R bargraph meters.
Channel fader – 60mm smooth action fader controls the overall channel
level. All post-fade aux send levels in the channel path are dependent on
the level of the channel fader.
PEAK – The peak detect circuit samples the signal at various points within the channel
and monitor signal paths. The red LED illuminates when the signal is within 5dB of
clipping. Should this occur turn back the GAIN control to reduce the signal level.
PAN – positions the monitor signal within the stereo image to the L-R and
group mix busses when they are selected. The centre position (mono
image) is detented for quick resetting.
L-R – routes the monitor signal to the main stereo mix for monitoring during
track laying or for mixdown to 2-track.
STATUS – This illuminates when the channel is set in record ready mode
using the MIDI machine control function.
MUTE – This turns the monitor signal on or off. This mute can be controlled
by the automation system. This does not affect the Pre-Fade aux sends.
PFL – Press PFL (Pre-Fade Listen) to listen to the Pre-Fade signal on
headphones or control room. The signal level is shown on the L and R
bargraph meters.
CHAN/MON – This is the group routing source select switch. Press to route
the monitor signal to the group busses for subgrouping during mixdown. In
the up position, the channel signal is routed to the groups for track laying.
1-2, 3-4, 5-6, 7-8 ROUTING SWITCHES – These switches route the signal
to groups. Use the pan control to route to individual groups, i.e. pan L (left)
for groups 1, 3, 5, 7 or and pan R (right) for groups 2, 4, 6, 8.
Monitor fader – 100mm smooth action fader controls the overall monitor
level. All post-fade aux send levels in the monitor path are dependent on
the level of the channel fader.
20 - 5
- 10
MIC
LINE
40
20
60
50
10
40
30
EQ
12kHz
60Hz
IN
+ 17 - 17
- 17 + 17
0.6
18Hz
30Hz
120Hz
600Hz
2
1
1kHz
0
0.6
300Hz
440Hz
1.8kHz
7.5kHz
2
18kHz
0
- 15
- 15
CHAN
MON
+ 15
1
+ 15
0
CHAN
MON
0
MON
CHAN
PRE/POST
10 0
C
10 0
10 0
0 10
PEAK
C
L R
GROUP 8
GRP/DIRECT
MIX
R L
MON
CHAN
STATUS
C
H
A
N
N
E
L
P
A
T
H
M
O
N
I
T
O
R
P
A
T
H