Roland ME-25 - Manual (Page 7)

7
Making Detailed Settings for Effects (Edit Mode)
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These effects broaden, modulate, and/or pitch shift the sound.
This delays the sound to produce an echo-like effect. It lets you add thickness and create complex sounds.
MODULATION
Explanation
1: CHORUS This effect adds subtle wavering to
transform the tone into one that is
broader, thicker, and more beautiful. RATE:
This sets the speed of the effect
DEPTH:
This sets the richness of the effect
E.LEVEL:
This sets the volume
level of the effect.
2: PHASER This effect creates a sweeping,
phase-shifted sound. RATE:
This sets the speed of the effect
DEPTH:
This sets the richness of the effect
RESONANCE:
This sets the intensity of
the effect.
3: FLANGER This creates a modulation effect like
the rising and falling sound of a jet
engine. RATE:
This sets the speed of the effect
DEPTH:
This sets the richness of the effect
RESONANCE:
This sets the intensity of
the effect.
4: ROTARY This effect produces the sound of
rotating speakers. RATE:
This sets the speed of the effect
DEPTH:
This sets the richness of the effect
E.LEVEL:
This sets the volume
level of the effect.
5: UNI-V This models the Uni-Vibe, an effect
that’s part of the rock sound of the
1960s. RATE:
This sets the speed of the effect
DEPTH:
This sets the richness of the effect
E.LEVEL:
This sets the volume
level of the effect.
6: TREMOLO This produces a retro effect through
cyclical changes in the volume level. RATE:
This sets the speed of the effect
DEPTH:
This sets the richness of the effect
E.LEVEL:
This sets the volume
level of the effect.
7: HARMONIST This creates harmonies reminiscent
of twin guitars.
* Play only single notes when using
the harmonist effect
KEY:
This sets the musical key of the
song being played.
HARMONY:
This sets the pitch of the harmony.
E.LEVEL:
This sets the volume
level of the effect.
8: OCTAVE This imparts thickness by adding
sound an octave lower.
* Play only single notes when using
the octave effect.
- D.LEVEL:
This sets the volume level of the
direct sound.
E.LEVEL:
This sets the volume
level of the effect
DELAY
Explanation
1: 1–99 ms This is a delay of 1 to 99 ms (milli-
seconds), which is ideal for a
doubling effect. TIME:
This sets the delay time in steps of 1 ms.
FEEDBACK:
This sets the number of
times the delay sound
repeats.
E.LEVEL:
This sets the volume level of
the delay sound.
2: 100–990 ms This delay has a delay time of
100 to 990 ms (milliseconds). TIME:
This sets the delay time in steps of 10 ms.
FEEDBACK:
This sets the number of
times the delay sound
repeats.
E.LEVEL:
This sets the volume level of
the delay sound.
3: 1000–6000 ms This is a delay of 1,000 to 6,000
ms (milliseconds), which is
suited to special effects. TIME:
This sets the delay time in steps of 100 ms.
FEEDBACK:
This sets the number of
times the delay sound
repeats.
E.LEVEL:
This sets the volume level of
the delay sound.
4: TAP This allows you to use the SOLO
pedal to set the delay time (see
below). TIME:
This sets the beat for the delay sound.
FEEDBACK:
This sets the number of
times the delay sound
repeats.
E.LEVEL:
This sets the volume level of
the delay sound.
Ex.
Detune +1 Octave -1 Octave
Ex.
2ms 99ms
Ex.
120ms 990ms
Ex.
1200ms 6000ms
Ex.
Applying Effects in Time with the Song Tempo (Tap Tempo)
When TAP is selected, you can set the delay’s tempo as dotted eighth notes
or quarter notes by pressing the SOLO pedal two or more times in time with
the tempo of the song.
The SOLO pedal’s indicator flashes in time with the current tempo.
When TAP is selected as the delay type, the SOLO feature cannot be
switched on or off.
Timing
Delay Sound
TIME setting
ME-25_e.book 7 ページ ２００９年１２月１８日 金曜日 午後１０時３８分