KORG TRITON STUDIO V2 - Manual (Page 41)

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The maximum amount of exclusive message that can be
recorded at once is approximately 320 Kbytes. This size
will decrease if other events exist within the same mea-
sure.
You cannot simultaneously record exclusive messages
received from an external MIDI device and parameter
changes produced by editing.
If you record a parameter assigned to a control change
such as “Pan” with the Global mode Global P1: MIDI,
MIDI Filter settings “Enable Control Change” and
“Enable Exclusive”
both checked, edits you make dur-
ing recording will be recorded both as control change
data and parameter change data. These recorded events
may not be reproduced correctly if you rewind or fast-
forward during playback. If you want to record such
events, check only one of these two “Enable” settings in
Global mode MIDI Filter.
MIDI system exclusive parameter changes
Sequencer mode track parameters and effect parameters can
be controlled by MIDI system exclusive parameter change
messages. When an external sequencer is connected and you
use the TRITON STUDIO in Sequencer mode as a 16-track
multi-timbral sound module, you can control these parame-
ters via MIDI.
The parameters in the table below can be edited individu-
ally using system exclusive parameter change messages.
Parameters that can be edited using system exclusive parameter change messages in Sequencer mode
Front panel/Page Parameter
Front panel
ARPEGGIATOR [ON/OFF] key, [GATE] knob, [VELOCITY] knob
REALTIME CONTROLS [REALTIME CONTROLS] key
P0: Play/REC
Prog. 1-8/9-16 “Category,” “Program Select,” “PLAY/MUTE/REC,” “SOLO ON/OFF”
Mixer 1-8/9-16 “Pan,” “Volume”
Sampling/HDAudio “Pan,” “Volume,” “BUS,” “Send1,” “Send2,” “PLAY/MUTE,” “SOLO ON/OFF”
P2: Trk Param
MIDI Ch 1-8/9-16 “Status,” “MIDI Channel,” “Bank Select”
OSC 1-8/9-16 “Force OSC Mode,” “OSC Select,” “Portamento”
Pitch 1-8/9-16 “Transpose,” “Detune,” “Bend Range”
Other 1-8/9-16 “Delay,” “Use Program’s Scale,” “Type,” “Key,” “Random”
P3: MIDI Filter
MIDI 1 1-8/9-16 “Enable Program Change,” “Enable After Touch,” “Enable Damper,” “Enable Portamento SW”
MIDI 2 1-8/9-16 “Enable JS X as AMS,” “Enable JS+Y,” “Enable JS-Y,” “Enable Ribbon”
MIDI 3 1-8/9-16 “Enable Realtime Control Knob1”... “Enable Realtime Control Knob4”
MIDI 4 1-8/9-16 “Enable SW1,” “Enable SW2,” “Enable Foot Pedal/Switch,” “Other Control Change”
P4: Zone/Ctrl
Key Z 1-8/9-16 “Top Key,” “Top Slope,” “Bottom Slope,” “Bottom Key”
Vel Z 1-8/9-16 “Top Velocity,” “Top Slope,” “Bottom Slope,” “Bottom Velocity”
MOSS 1-8/9-16 “Voice Allocation Reserve,” “Reference Track”
Controller “SW1,” “SW1 Mode,” “SW2,” “SW2 Mode,” “Knob 1-B”...“Knob 4-B”
P5: Track Edit
Tone1.2 1-8/9-16
“Destination,” “Value” Tone3.4 1-8/9-16
Tone5.6 1-8/9-16
P7: Arpeggiator
Setup 1-8/9-16 “Arpeggiator Assign,” “Arpeggiator Run A, B”
Arpegg. A/B “Pattern,” “Octave,” “Resolution,” “Gate,” “Velocity,” “Swing,” “Sort,” “Latch,” “Key Sync.,” “Keyboard”
Scan Zone “Top Key,” “Bottom Key,” “Top Velocity,” “Bottom Velocity”
P8: Insert Effect
Routing 1-8/9-16 “BUS Select,” “Send1,” “Send2”
Insert FX “IFX1”...“IFX5,” “IFX1 On/Off”...“IFX5 On/Off,” “Chain,” “Pan,” “BUS Sel.,” “Send1,” “Send2”
IFX 1/2/3/4/5 All effect parameters
P9: Master Effect
Master FX
“MFX 1,” “MFX 2,” “MFX1 On/Off,” “MFX2 On/Off,” “Chain,” “Chain Direction,” “Chain Signal,” “Chain
Level,” “Return 1, “Return 2,” “Low,” “Mid,” “High”
MFX 1/2 All effect parameters
Master EQ
“Low Cutoff,” “Mid Cutoff,” “Q,” “High Cutoff,” “Gain,” “Low Gain Mod-Src,” “High Gain Mod-Src,” “Ctrl
Ch”