KORG TRITON STUDIO V2 - Manual (Page 40)

35
Sequencer
2. Recording exclusive messages received
from the TRITON-Rack
Here’s how you can connect the TRITON STUDIO and a
TRITON-Rack via MIDI, and use the TRITON STUDIO to
record exclusive messages received from the TRITON-Rack.
1 Connect the TRITON-Rack’s MIDI connectors (IN/OUT)
to the TRITON STUDIO’s MIDI connectors (OUT/IN).
On each TRITON, go to the Global mode MIDI Filter set-
tings and check the Exclusive parameter.
TRITON-Rack: GLOBAL 2.1: MIDI, MIDI Filter (
☞PG
p.112)
TRITON STUDIO: Global P1: MIDI, MIDI Filter (
☞PG
p.144)
2 On the TRITON-Rack, enter Program mode and select
program A000: Noisy Stabber.
3 On the TRITON STUDIO, enter Sequencer mode. In
“Song Select,”
create a new song. ( ☞PG p.50)
4 In “Track Select,” choose Track 01 and begin recording.
5 On the TRITON-Rack, edit the “PROG P1.1 Arp.Play:
Pattern” parameters.
6 Stop recording.
7 On the TRITON STUDIO, select the Sequencer P5: Track
Edit page menu command “Event Edit.” In the Set Event
Filters dialog box, check Exclusive and press the OK
button
.
Each exclusive message is recorded at the location in
the song where it began being received.
8 When you play back on the TRITON STUDIO, the
changes you made in step
5 will be reproduced on the
TRITON-Rack.
Exclusive messages that can be realtime-recorded
The following exclusive messages can be realtime recorded.
• Exclusive messages received from an external MIDI
device
• Parameter changes in Sequencer mode (see table
below)
• Master Volume universal exclusive messages
assigned to the foot pedal or a knob
Parameter change messages that you can realtime-record in Sequencer mode
*1: “SOLO ON/OFF” is always controlled by events in the track, regardless of the play/mute status of that track.
Event indication
Location
Front panel/Page Parameter
Front panel
ARPEGGIATOR [ON/OFF] key, [GATE] knob, [VELOCITY] knob
REALTIME CONTROLS [REALTIME CONTROLS] key
P0: Play/REC
Prog. 1-8/9-16 “Category,” “Program Select,” “PLAY/MUTE/REC,” “SOLO ON/OFF” *1
Mixer 1-8/9-16 “Pan,” “Volume”
Sampling/HDAudio “Pan,” “Volume,” “BUS,” “Send1,” “Send2,” “PLAY/MUTE,” “SOLO ON/OFF”
P2: Trk Param
OSC 1-8/9-16 “Force OSC Mode,” “OSC Select,” “Portamento”
Pitch 1-8/9-16 “Transpose,” “Detune,” “Bend Range”
Other 1-8/9-16 “Delay,” “Use Program’s Scale,” “Type,” “Key,” “Random”
P4: Zone/Ctrl
Controller “SW1,” “SW1 Mode,” “SW2,” “SW2 Mode,” “Knob 1-B”...“Knob 4-B”
MOSS 1-8/9-16 “Voice Allocation Reserve,” “Reference Track”
P5: Track Edit
Tone1.2 1-8/9-16
“Destination,” “Value” Tone3.4 1-8/9-16
Tone5.6 1-8/9-16
P7: Arpeggiator
Setup 1-8/9-16 “Arpeggiator Assign,” “Arpeggiator Run A, B”
Arpegg. A/B “Pattern,” “Octave,” “Resolution,” “Gate,” “Velocity,” “Swing,” “Sort,” “Latch,” “Key Sync.,” “Keyboard”
Scan Zone “Top Key,” “Bottom Key,” “Top Velocity,” “Bottom Velocity”
P8: Insert Effect
Routing 1-8/9-16 “BUS Select,” “Send1,” “Send2”
Insert FX “IFX1”...“IFX5,” “IFX1 On/Off”...“IFX5 On/Off,” “Chain,” “Pan,” “BUS Sel.,” “Send1,” “Send2”
IFX 1/2/3/4/5 All effect parameters
P9: Master Effect
Master FX
“MFX 1,” “MFX 2,” “MFX1 On/Off,” “MFX2 On/Off,” “Chain,” “Chain Direction,” “Chain Signal,” “Chain
Level,” “Return 1, “Return 2,” “Low,” “Mid,” “High”
MFX 1/2 All effect parameters
Master EQ
“Low Cutoff,” “Mid Cutoff,” “Q,” “High Cutoff,” “Gain,” “Low Gain Mod-Src,” “High Gain Mod-Src,” “Ctrl
Ch”