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Example of connections to a mixer or recorder, Using the ax3000b with a midi device or computer, Ax3000b – KORG Ax3000b User Manual

Page 20: Midi, Sing, With, Device, Computer, Xample, Connections

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14

E

XAMPLE

OF

CONNECTIONS

TO

A

MIXER

OR

RECORDER

• When using the AX3000B for direct-line recording, connect the OUTPUT L/

MONO and R jacks to the input jacks of your mixer or recorder. Be sure to select
the appropriate connection (p.12).

U

SING

THE

AX3000B

WITH

A

MIDI

DEVICE

OR

COMPUTER

By using MIDI you can control the AX3000B from a sequencer or control an exter-
nal MIDI device from the AX3000B. You can also save the AX3000B’s programs on
a sequencer or MIDI data filer that is able to transmit and receive MIDI exclusive
data, and then load the program data back into the AX3000B when desired.

HINT: For details on MIDI-related connections, refer to “Connecting a MIDI Device
or Computer” on p.50.

INPUT

Tape

Retuen

LINE IN 1

PAN L

LINE IN 2
PAN R

R

OUTPUT
L/MONO

Tape

Send

PHONES

Monaural phone jack

Mixer/recorder

Headphones

Bass

MIC

1

BAL
OR

UNBAL

LINE IN 1

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

LINE IN 7-8

L

R

BAL
OR

UNBAL

MONO

+4
-10

LEVEL

LINE IN 9-10

L

R

BAL
OR

UNBAL

MONO

+4
-10

LEVEL

LINE IN 11-12

L

R

BAL
OR

UNBAL

MONO

+4
-10

LEVEL

LINE IN 13-14

L

R

BAL
OR

UNBAL

MONO

+4
-10

LEVEL

PHONES

MIC

2

BAL
OR

UNBAL

LINE IN 2

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

3

BAL
OR

UNBAL

LINE IN 3

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

4

BAL
OR

UNBAL

LINE IN 4

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

5

BAL
OR

UNBAL

LINE IN 5

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

6

BAL
OR

UNBAL

LINE IN 6

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

1

MUTE
A LT 3 – 4

EQ

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

2

MUTE
A LT 3 – 4

EQ

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

60

30

40
50

60

30

40
50

60

30

40
50

60

30

40
50

60

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

3

MUTE
A LT 3 – 4

EQ

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

4

MUTE
A LT 3 – 4

EQ

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

5

MUTE
A LT 3 – 4

EQ

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

6

MUTE
A LT 3 – 4

EQ

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

7–8
MUTE
A LT 3 – 4

EQ

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

9–10
MUTE
A LT 3 – 4

EQ

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

11–12

MUTE
A LT 3 – 4

EQ

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

13–14

MUTE
A LT 3 – 4

EQ

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

dB
10

5

U

5

10

20

5

U

5

10

20

U

+10

U

+20

U

+20

1

2

AUX 1 MASTER

NORMALLED

AUX 1
SELECT

AUX

RETURNS

LEFT

RIGHT

CLIP

+28

+10

+7

+4

+2

0

-2

-4

-7

-10

-20

-30

0dB=0dBu

RUDE SOLO LIGHT

ALT
3-4

TAPE

NORMAL(AFL)
LEVEL SET(PFL)

SOLO
MODE

PHANTOM

POWER

CONTROL

ROOM

/ PHONES

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