Yamaha FX900 - Manual (Page 31)

PCS — stereo Pitch Change
Like the preceding PCM program, the PCS program produces two pitch-shifted notes, but these can be produced independently for
the ieft- and right-channel signals.
PCL FINL DLYL
+4 +8 650.0
PCR FINR DLYR
+5 +8 325.0
FBL LPFL
+30 THRU
FBR LPFR
+30 THRU
TYP L/R WID
ST L=R 10
KEY MIX LVL
OFF 50 0
PCL f1 St Pitch Shift: -12 — 4-121
PCR f2nd Pitch Shift: -12 — *121
These two parameters set the pitch of the left- (PCL) or right-
chanel (PCR) pitch-shifted note between one octave beiow
(-12) and one octave above (+12) the input note.
FINL (1st Fine Tuning: -100 — +1001
FINR (2nd Fine Tuning: -100 — +100)
Permit fine tuning of the left- or right-channel pitch-shifted
note in 1-cent steps (1 cent is 1/100th of a semitone).
DLYL fist Delay Time: 0.1 — SSO.OmsI
DLYR (2nd Delay Time: 0.1 — SSO.OmsI
The DLYA and DLYB parameters determine the time delay
between input of the original note and output of the left- or
right-channel pitch-shifted note.
FBL (Left Channel Feedback: -100 — +100%!
FBR (Right Channel Feedback: -100 — +100%)
When one of these parameters is set to 0, oniy a single pitch-
shifted sound is produced in the corresponding channei after
the DELAY time has elapsed. As the value is increased,
however, more and more deiayed repeats are produced,
each pitch-shifted up or down from the previous repeat
according to the settings of the PCL or PCR parameter.
LPFL (Left Channel Low-oass Frequency: 1 .OkHz —11 kHz. THRU!
LPFR (Right Channel Low-oass Frequency: 1 .OkHz — 11 kHz. THRU)
Sets the cutoff frequency of the left- or right-channel low-pass
filter. The "THRU" setting bypasses the fiiter.
TYPE /Input Mix Type: ST. MON01
Determines whether the left- and right-channel input signais
will be fed independently to the left- and right-channel
processing circuitry (ST), or mixed and then fed to the effect
(MONO).
L/R fLeft/Rlaht Balance: L50 — L1. L=R. R 1 — R501
Sets the balance between the left- and right-chanel pitch-
shifted notes. A setting of "L50," for exampie, produces oniy
the sound of the left-channel note. "L=R" produces both
channels in equal balance. "R50" produces only the sound of
the right-channel note.
WIDfWIdth: 0 — 1001
Determines the strength of a feeiing of "width" between the
left and right channels. The lower the value, the more the left-
and right-channel pitch-changed notes a mixed, reducing the
feeling of stereo width.
KEY /Base Kev: OFF. C1 — C61
This parameter sets the "base key" for an external MIDI
synthesizer used to controi the amount of pitch change
produced. Refer to the previous effect (PCM).
MIXfMlxlna:0 —100%1
Sets the balance between the direct and pitch-changed
sound.
LVL /Output Level: -30 — +6 dB1
Determines the output level of the PCS effect.
30