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Rear panel/connections, 8mixdream, Wiring – SPL MixDream Model 2384 16x2 Analog Summing Mixer User Manual

Page 8: Daw insert units* 2 ch ad, 16 ch ad/da, Mixdream 2 master processing metering monitoring, Ad da, Examples :)

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8

MixDream

Rear Panel/Connections

Wiring

DAW

Insert Units*

2 CH AD

AD

AD

16 Ch 1

16 CH AD/DA

AD

DA

MixDream 2

Master Processing

Metering

Monitoring

20

10

7

5

3

1 0

3

5

0

30

50

70

100

%

V U

20

10

7

5

3

1 0

3

5

0

30

50

70

100

%

V U

20

10

7

5

3

1 0

3

5

0

30

50

70

100

%

V U

20

10

7

5

3

1 0

3

5

0

30

50

70

100

%

V U

A 0 0 1

3.0

3.2

3.5

5.5

7.0

11

14

16

2.7

2.4

2.1

1.5

1.2

1.0

0.9

0.8

0.75

0.7

0.67

kHz

f

9.0

4.3

1.8

LF

10 Hz - 235 Hz

Hz

LMF

35 Hz - 720 Hz

f

45

50

55

60

75

110

140

170

200

235

40

35

31

27

22

18

15

13

12

11

10

MF

330 Hz - 7.1

k

Hz

HMF

670 Hz - 16

k

Hz

1.3

1.4

1.5

2.0

2.5

3.8

4.5

5.5

7.0

7.1

1.2

1.1

1.0

0.8

0.7

0.6

0.5

0.4

0.35

0.34

0.33

HF

1.2

k

Hz - 28

k

Hz

kHz

5.0

5.5

6.0

9.0

11

13

17

23

28

4.6

4.2

3.8

3.0

2.4

2.0

1.7

1.5

1.4

1.3

1.2

-7

-9

-10

-8

9

-7

-9

9

-7

-9

Hz

f

kHz

f

f

180

220

45

40

140

150

160

350

600

720

125

110

100

90

75

65

38

36

35

420

500

6.5

3.2

1.7

0.9

1.3

1.3

1.0

1.0

0.5

0.8

0.2

0.7

0.1

0.7

1.5

2.0

2.7

5.0

11

20

3.6

Q

Cons-Q

Prop-Q

3.4

2.7

2.0

1.7

55

280

700

90

230

3.3

7.0

20

26

dB

1

2

3

-/+

0

-1

-2

-3

-7

-9

-10

-11

-11.5

-5

7

9

10

11

11.5

5

1.3

1.3

1.0

1.0

0.5

0.8

0.2

0.7

0.1

0.7

1.5

2.0

2.7

5.0

11

20

3.6

Q

Cons-Q

Prop-Q

3.4

2.7

2.0

1.7

dB

1

2

3

-/+

0

-1

-2

-3

-7

-9

-10

-11

-11.5

-5

7

9

10

11

11.5

5

1.3

1.3

1.0

1.0

0.5

0.8

0.2

0.7

0.1

0.7

1.5

2.0

2.7

5.0

11

20

3.6

Q

Cons-Q

Prop-Q

3.4

2.7

2.0

1.7

dB

1

2

3

-/+

0

-1

-2

-3

-7

-9

-10

-11

-11.5

-5

7

9

10

11

11.5

5

1.3

1.3

1.0

1.0

0.5

0.8

0.2

0.7

0.1

0.7

1.5

2.0

2.7

5.0

11

20

3.6

Q

Cons-Q

Prop-Q

3.4

2.7

2.0

1.7

dB

1

2

3

-/+

0

-1

-2

-3

-7

-9

-10

-11

-11.5

-5

7

9

10

11

11.5

5

1.3

1.3

1.0

1.0

0.5

0.8

0.2

0.7

0.1

0.7

1.5

2.0

2.7

5.0

11

20

3.6

Q

Cons-Q

Prop-Q

3.4

2.7

2.0

1.7

dB

1

2

3

-/+

0

-1

-2

-3

-7

-9

-10

-11

-11.5

-5

7

9

10

11

11.5

5

3.0

3.2

3.5

5.5

7.0

11

14

16

2.7

2.4

2.1

1.5

1.2

1.0

0.9

0.8

0.75

0.7

0.67

kHz

f

9.0

4.3

1.8

LF

10 Hz - 235 Hz

Hz

LMF

35 Hz - 720 Hz

f

45

50

55

60

75

110

140

170

200

235

40

35

31

27

22

18

15

13

12

11

10

MF

330 Hz - 7.1

k

Hz

HMF

670 Hz - 16

k

Hz

1.3

1.4

1.5

2.0

2.5

3.8

4.5

5.5

7.0

7.1

1.2

1.1

1.0

0.8

0.7

0.6

0.5

0.4

0.35

0.34

0.33

HF

1.2

k

Hz - 28

k

Hz

kHz

5.0

5.5

6.0

9.0

11

13

17

23

28

4.6

4.2

3.8

3.0

2.4

2.0

1.7

1.5

1.4

1.3

1.2

-7

-9

-10

-8

9

-7

-9

9

-7

-9

Hz

f

kHz

f

f

180

220

45

40

140

150

160

350

600

720

125

110

100

90

75

65

38

36

35

420

500

6.5

3.2

1.7

0.9

1.3

1.3

1.0

1.0

0.5

0.8

0.2

0.7

0.1

0.7

1.5

2.0

2.7

5.0

11

20

3.6

Q

Cons-Q

Prop-Q

3.4

2.7

2.0

1.7

55

280

700

90

230

3.3

7.0

20

26

dB

1

2

3

-/+

0

-1

-2

-3

-7

-9

-10

-11

-11.5

-5

7

9

10

11

11.5

5

1.3

1.3

1.0

1.0

0.5

0.8

0.2

0.7

0.1

0.7

1.5

2.0

2.7

5.0

11

20

3.6

Q

Cons-Q

Prop-Q

3.4

2.7

2.0

1.7

dB

1

2

3

-/+

0

-1

-2

-3

-7

-9

-10

-11

-11.5

-5

7

9

10

11

11.5

5

1.3

1.3

1.0

1.0

0.5

0.8

0.2

0.7

0.1

0.7

1.5

2.0

2.7

5.0

11

20

3.6

Q

Cons-Q

Prop-Q

3.4

2.7

2.0

1.7

dB

1

2

3

-/+

0

-1

-2

-3

-7

-9

-10

-11

-11.5

-5

7

9

10

11

11.5

5

1.3

1.3

1.0

1.0

0.5

0.8

0.2

0.7

0.1

0.7

1.5

2.0

2.7

5.0

11

20

3.6

Q

Cons-Q

Prop-Q

3.4

2.7

2.0

1.7

dB

1

2

3

-/+

0

-1

-2

-3

-7

-9

-10

-11

-11.5

-5

7

9

10

11

11.5

5

1.3

1.3

1.0

1.0

0.5

0.8

0.2

0.7

0.1

0.7

1.5

2.0

2.7

5.0

11

20

3.6

Q

Cons-Q

Prop-Q

3.4

2.7

2.0

1.7

dB

1

2

3

-/+

0

-1

-2

-3

-7

-9

-10

-11

-11.5

-5

7

9

10

11

11.5

5

1

2

Mono

3

4

Mono

5

6

Mono

Class A Mix System, Model 2384

L

R

Insert

Gain Reduction

Return Signal

1

Off

Sig.

On

No

Mix

2

Off

Sig.

On

No

Mix

3

Off

Insert

Insert

Insert

Insert

Insert

Insert

Insert

Insert

Sig.

On

No

Mix

4

Off

Sig.

On

No

Mix

5

Off

Sig.

On

No

Mix

6

Off

Sig.

On

No

Mix

7

Off

Sig.

On

No

Mix

8

Off

Sig.

On

No

Mix

MixDream

Expansion

Inserts On

dB

Master Insert

Peak Limiter

Stereo Expander

L

R

Output

On

O n Expander

Limiter

On

O n Transformer

S

E

N

D
L

E

V

E

L

-20

7

-9

-10

-11

-15

-13

-16

-17

-18

-19

-8 -7

-6

-3

0

2

4

5.5

6

6.5

dB

9

Off

Sig.

On

No

Mix

10

Off

Sig.

On

No

Mix

11

Off

Insert

Insert

Insert

Insert

Insert

Insert

Insert

Insert

Sig.

On

No

Mix

12

Off

Sig.

On

No

Mix

13

Off

Sig.

On

No

Mix

14

Off

Sig.

On

No

Mix

15

Off

Sig.

On

No

Mix

16

Off

Sig.

On

No

Mix

S

T

E

R

E

O

W

ID

T

H

Nor.

Max

9

8

7

5

6

4

3

2

1

10 11

12

13

14

15

16

17

18

19

O

U

T

P

U

T

L

E

V

E

L

-19

9

-8

-9

-10

-14

-12

-15

-16

-17

-18

-7 -6

-5

-2

0

3

5

7

8

8.5

T

H

R

E

S

H

O

L

D

Off

-3

15

16

17

21

19

22

23

24

25

14 13

12

9

5

2.5

0

-1.5

-2

dB

-2.5

Pin wiring of XLR outputs: 1=GND, 2=hot (+), 3=cold (-).
The pin wiring of the DB25 sockets conforms to the Tascam standard,
please see page 10 for details.

2

3

1

Kultube Stereo Compressor

Qure Equalizer

Transient Designer

Stereo Vitalizer MK2-T

SPL DeEsser

*

examples

:)