beautypg.com

Music control – Cloud Electronics 46-50 User Manual

Page 15

background image

46-50 Installation and User Guide V1.0

15

Connecting a PM1 paging mic

The PM 1 is a simple, passive paging microphone suitable for
situations where announcements are always made to the
same zone(s). It can be connected directly to the 46-50 Mixer
Amplifier, the control cable being wired to the pin(s) of the

PAGING ACCESS port corresponding to the zone(s) in

which announcements are required. Any or all of the zones
may be paralleled if multiple zones need to operate from the
PM1.
Either a single 2-pair individually-screened cable may be
used (this gives the neatest finish), or two separate standard

microphone cables. Connections on the PM1 are made via the
rear cable gland in the base and the screw terminal blocks on

the internal PCB (U2 and U3). Full connection details can be
found in the PM1 Installation and User Guide. Note that the
PM1 does not require DC power.
The diagram below shows the connections between a PM1

and a 46-50. Use of 2-pair cable is assumed; the same wiring
principle is adopted if separate cables are being used for audio
and control.

PAGING MIC INPUT

SCN COLD HOT

N/O N/C GND

U2 AUDIO

U3 ACCESS

ZONE ACCESS CONNECTOR

CONNECT TO

ZONE(S) IN USE

1 2 3

0V Z1 Z2 Z3 Z4 +V

46-50

PM1

Note that the default factory setting routes

MIC 1 to all

four zones at all times. In order for

MIC 1 to function

correctly with a paging mic, internal jumpers J23 (Zone 1),
J22 (Zone 2), J21 (Zone 3) and J20 (Zone 4) should be
removed to enable the

PAGING ACCESS connector.

See page 24 for jumper locations.
For automatic music ducking during an announcement,
internal jumper J12 must be in its ‘ON’ position.
See page 19 for further information.

Connecting OEM paging microphones

Other manufacturers’ paging microphones may be used
with the 46-50, provided they make the microphone signal
available at a suitable level (the 46-50’s mic gain adjustment
range should be sufficient to accommodate most types), and
that paging zone selection is by simple “contact closure-to-

ground”. Providing these conditions are met, the connection
method described above for a Cloud PM4, or for the PM1 in
the case of a single-zone mic, may be used.

Music control

Like many other Cloud products, the 46-50 allows remote

control of music level and source selection in each of the
primary zones. Cloud remote control plates from the RL-1
Series (music level only) and RSL-6 Series (music level and

source selection) provide an elegant solution, though control
via a DC voltage from third-party systems is also possible
(see page 21).
Both types of plate connect via the

REMOTE MUSIC

CONTROL connectors for the relevant zone (see [8] on

page 12). These connectors are 3-pin 5 mm-pitch screw
terminal type; please refer to page 21 for additional
information regarding cable lengths, etc.

Connecting an RL-1 Series remote control plate

Wire the remote control plate as shown below. Either
single-core screened or twin-and-screen cable may be used;
in the case of the latter, ignore one of the cores. Maximum
reliable cable run is 100 m

1

2 3

REMOTE

SOURCE + LEVEL

1 2 3

REMOTE LEVEL CONTROL WIRING

RL-1

SINGLE-CORE SCREENED CABLE MAY BE USED

Before the RL-1 will operate, the zone’s Music Control Port
must be enabled by setting the adjacent push-button switch
([9] on page 12) to REMOTE (i.e., pressing it in). In this

setting, the zone’s front panel

MUSIC LEVEL and SOURCE

controls become inoperative. As music source selection will
still be required from the mixer amplifier’s front panel when
an RL-1 is in use, the REMOTE setting may be overridden for
the source selection control only by moving internal jumper

J3 (Zone 1), J4 (Zone 2), J5 (Zone 3) or J6 (Zone 4) on the
main internal PCB. See page 24 for location of internal
jumpers.