KORG Concert Korg Digital Piano C-150 - Manual (Page 20)

Connections with other devices
Receipt of program change request
When the piano receives a program change request
from an external device, it changes the voice setting
as indicated below. pC#: Program change number
Voice Mode PC# Voice
0 PIANO
1 E.PIANO
SINGLE
2 HARPS!
3 ViBES
4 ORGAN
5 STRINGS
6 PIANO+E.PIANO
7 PIANO+HARPSI
8 PIANO+VIBES
9 PIANO+ORGAN
10 PIANO+STRiNGS
11 E.PIANO+HARPSI
12 E.PIANO- h VIBES
LAYER 13 E.PIANO+ORGAN
14 E.PIANO+STRINGS
15 HARPSI+VIBES
16 HARPSI+ORGAN
17 HARPSI+STRINGS
18 VIBES+ORGAN
19 VIBES+STRiNGS
20 ORGAN+STRINGS
Note: Prograrn change numbers 21 to 127 are ignored,
M Inhibiting CONTROL CHANGE Requests
When the CONTROL CHANGE function is set to
OFF,
all incoming and outgoing CONTROL
CHANGE messages are ignored, including those gen­
erated by the pedals.
Enabling and disabling control changes
To switch the function on or off, hold down the
[TRANSPOSE/FUNCTION] switch and press
the [HARPSI] switch.
HARPSI lamp off CONTROL CHANGE ON
HARPSI lamp on CONTROL CHANGE OFF
When the power is turned on, the instrument always
begins with the CONTROL CHANGE function ON.
Note: You can disable the Control Change function inde­
pendently for each MIDI channel {channels 1 to 16).
The piano remembers the setting for each channel
(so long as power remains on), and reinvokes the
setting each time you come back to that channel.
Note: Do not press down the pedal when switching this
function ON and OFF.
Note: External control changes are effective for both voices
in the LAYER mode regardless of the individual in­
ternal pedal settings. (Refer to the section "Using
the Pedals with LAYER Mode".)
■ MIDI Multivoice Function
The C-350/C-150 can receive data from up to four
MIDI channels at once: the MIDI channel you have
selected, plus the next three channels in succession.
This means that you can use an external sequencer to
drive up to four of the piano’s voices at the same time.
When you are using this multivoice function, the se­
lected channel drives the selected voice (the voice
selected by the [VOICE SELECTOR]), while the next
three channels drive the PIANO, E.PIANO, and
HARPS! voices, respectively. If you have set the MIDI
channel to 1, for example, the data coming in on chan­
nel 1 drives the selected voice, while channel 2 drives
the PIANO voice, channel 3 the E.PIANO voice, and
channel 4 the HARPSI voice. The following table
shows the voice/channel correspondence for all MIDI
channel settings.
C - 3 S O / C - 1 5 0 ,
MIDI
Channel
1 2 3 4 5
6
7 8 9
1 0 1 1 1 2
13
1 4 1 5 1 6
V o i c e s e l e c t e d b v
V O I C E S E L E C T O R1
2 3 4 5 6 7 8 9
1 0 1 1 1 2 1 3 1 4 1 5 1 6
PIANO
2 3
4
5 6 7 8 9
1 0 1 1 1 2 1 3 1 4 1 5 1 6 X
E.PIANO
3 4 5 6
7 8 9
1 0 1 1 1 2 1 3 1 4 1 5 1 6 X X
HARPSI 4 5 6 7 8 9 1 0 1 1 1 2 1 3 1 4 1 5 1 6 X X X
If the C-350/C-150 receives a program change request
during
multivoice operation, the selected voice
changes accordingly. (See page 19.)
M Synchronizing with External MIDI devices
The built-in recorder of the instrument is capable of
synchronizing
with a drum machine, sequencer or
other external MIDI devices. To use the C-350/C-150
as the master keyboard (controlling device) and the
external device as the slave (controlled device), con- :
nect the MIDI OLIT jack on the piano to the MIDI IN
jack on the external device with a MIDI cable. (To :
change the MIDI clock setting on external devices,
refer to the manual for each device.)
Note: To start and stop the synchronized play with exter­
nal devices, use the [START/STOP] switch on the C-350/ :
C-150.
Note: The MIDI clock (timing data) sent from the C-350/ ;
C-150 will follow changes made with the [TEMPO) con­
trol slider.
20