Roland V-ACCORDION FR-7 - Manual (Page 12)

Panel descriptions | Bass control panel
12
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FR-7b/FR-5b V-Accordion
I POWER button
Press this button to switch the V-Accordion on (the
button lights) and off (button dark).
Note: The FR-7b/FR-5b is automatically switched off after 10
minutes of inaction to save battery power. This can be
changed, however (see p. 73).
J SORDINA switch
This ON/OFF switch allows you to switch the simula-
tion of the wooden resonance chamber on and off.
K DELAY knob
The FR-7b/FR-5b contains three digital effects that
can be used simultaneously. This knob is used to set
the level of the Delay (echo) effect (see p. 67).
L CHORUS knob
Use this knob to set the level of the Chorus effect
(see p. 65).
M REVERB knob
Use this knob to set the level of the Reverb effect (see
p. 64).
Bass control panel
N Bass registers
Note: By pressing and holding any register, you can switch off
the Bass (or Free Bass) section. Press another register to switch
it back on.
These switches allow you to select the desired bass
mix. They include the following footages:
O ORCH BASS registers
Press the last three (“ORCH BASS”) registers (viewed
from the top) simultaneously to enter Orchestra Bass
mode (see p. 28). Doing so switches off the accordion
bass sound and selects an orchestral sound. Press the
last three registers again simultaneously to return to
normal bass mode.
P ORCH FREE BS/ORCH CHORD registers
By pressing these three registers, you activate (or
switch off) one of two orchestral sections: ORCH
CHORD (if the Free Bass section is off) or ORCH FREE
BS (if the Free Bass section is on). “ORCH CHORD”
allows you to select an orchestral sound for the
chord buttons, while “ORCH FREE BS” can be used to
select an orchestral bass sound for the Free Bass sec-
tion. See pages 29 and 30 for details.
Q FREE BASS registers
Press the first three (“FREE BASS”) registers (viewed
from the top) simultaneously to enter Free Bass
mode. The FR-7b/FR-5b provides several systems for
this mode (see p. 71). Press the first three registers
again simultaneously to return to normal bass mode.
N
Q O P
1 2’ 5 8’/4’/2’
2 4’ 6 16’/8’/8-4’
3 8-4’ 7 16’/2’
4 16’/8’/8-4’/4’/2’