Teac 788 Addendum User Manual

Tascam 788 — additions and corrections

TASCAM 788 — Additions and corrections

Since the printing of the manual for the 788, it has been found necessary to make a number of
small corrections to the manual. This sheet summarizes these corrections.

We strongly suggest that you keep this sheet with the original documentation for reference, and if
necessary, amend the relevant parts of the original manual.

We apologize sincerely for any inconvenience this may cause.

Section and page
number

From the manual…

Replace with or insert…

Explanation

“Copying songs” on page 29

When all the songs to be copied

have been marked, press the

ENTER

key. A list of all the

currently-available drives and
partitions is shown.

Use the dial to select the drive

or partition to which the selec-
tion will be copied and press

ENTER

When all the songs to be copied

have been marked, press the

ENTER

key. A list of all the

currently-available disks and
partitions is shown.

Use the dial to select the disk

or partition to which the selec-
tion will be copied and press

ENTER

The 788 shows the
disks, rather than the
drives, connected to the
unit.

Note to “Formatting a disk”
on page 32

Disks in the list are identified by their
SCSI ID numbers (from 0 through 6; ID
7 is reserved for the788’s internal con-
troller). If the disks are divided into parti-
tions, the partitions are listed as

Part1

Part2

, etc.

Disks in the list are identified by their
SCSI ID numbers (from 0 through 6; ID
7 is reserved for the788’s internal
controller).

Partitions are only listed
after a disk has been
formatted and appear
when a disk or partition
is to be selected.

“Assigning sources to mixer
channels.” on page 36

To assign an input source (

INPUT

through

, the

AUX INPUTS

, the

recorded

TRACK

s, the

STEREO

mix

or the

SUB MIX)

to a mixer channel:

To assign an input source (

INPUT

through

, the

AUX INPUTS

, the

recorded

TRACK

s, or the

STEREO

mix to a mixer channel:

The

SUB MIX

cannot

be assigned to a mixer
channel, but can be
assigned to the stereo
outputs.

“SSA (Slow Speed Audition)”
on page 59

—

NOTE

It is not possible to record while the SSA
mode is active.

—

“Direct location (ii)” on
page 61 (step 5).

If you increase the “beats” value past
the maximum number of beats on a
bar at that point in the tempo map,
the number will “wrap round”; that
is, the “bars” value will increase by
one, and the “beats” value will be set
to

There is no beat 0 in a
bar—counting therefore
starts at 01.

“Using EFFECT 1 as a single
stereo effect processor in the
effect loop” on page 82

NOTE

You can reverse this order of making the
settings (press and hold the

SEND

key,

and then press the

EFFECT 1

key).

NOTE

You can reverse this order of making the
settings (press and hold the

EFFECT

key, and then press the

SEND

key).

—

“Send levels, etc.” on
page 83 (note)

The pan controls change to a centered
mono pan.

When two channels are unlinked, the
stereo pan control changes back to
mono pan controls, which are panned
hard left (odd-numbered channels) and
hard right (even-numbered channels).

The pan controls change to a stereo
pan control.

When two channels are unlinked, the
stereo pan control changes back to
mono pan controls, which retain the ste-
reo pan settings.

—

“CHORUS” on page 89 (FB
DELAY)

The time between the original and the
delayed signal

The time between repeats.

—

“Synchronization master/
slave setting on the 788” on
page 96

—

NOTE

The jog and repeat functions are dis-
abled when the 788 is in timecode slave
mode.

—

9101437900