Teac DM-24 Basics Manual - Manual (Page 2)

DM-24 SIGNAL FLOW ........................................................................................ 3
INPUTS ...................................................................................................................................................... 3
RETURNS .................................................................................................................................................. 3
OPTIONS ............................................................................................................. 4
OUTPUTS ............................................................................................................ 5
AUX SENDS ........................................................................................................ 5
TRACKING OPTIONS ......................................................................................... 5
Using AUX 1&2 as the tape return path ..................................................................................................... 6
Using the inserts to track analog and return digital..................................................................................... 6
Tracking with channels 25-32..................................................................................................................... 7
EFFECTS............................................................................................................. 7
AUTOMATION..................................................................................................... 8
MACHINE CONTROL.......................................................................................... 9
MIDI ..................................................................................................................... 9
CASCADING TWO DM-24S .............................................................................. 10
OPERATING AT 96KHZ.................................................................................... 11
RECORDING AND MIXING SNAPSHOTS........................................................ 12