Allen&Heath DP 1000 USER GUIDE - Manual (Page 17)

F
RONT
P
ANEL
C
ONTROLS
3
MONO
4kHz
8
30
40
30
40
30
40
30
40 40
30
40
30
STEREO STEREO
30
40
30
40
PEAK PEAK
15
20
10
5
3
0
6
15
20
10
5
3
0
6
31Hz
EQ
4 BAND PARAMETRIC EQ
2 EQ 1
63Hz
MIN MAX MIN MAX
GAIN GAIN
PEAK PEAK PEAK
15
20
10
5
3
0
6
15
20
10
5
15
20
10
5
3
0
6
3
0
6
EQ 3
125Hz
5 4 EQ EQ
250Hz 500Hz
PEAK PEAK
5
15
20
10
3
6
0
15
20
10
5
15
20
10
5
3
0
6
3
0
6
EQ 6
1kHz
EQ EQ 7
2kHz
MAX MIN MIN MAX MAX MIN
GAIN GAIN GAIN
MIN MAX MIN MAX
GAIN GAIN
MONO
EFFECTS
40
30
REVERB
40
30
FOLDBACK
40
30
40
30
MAIN
40
30
B
BALANCE
EDIT
GRAPHIC
PEAK PEAK PEAK
20
15
10
3
6
0
20
15
10
3
6
0
FX 1
EFFECTS
8kHz
2 FX
REVERB
16kHz
HOME
EQ 1-8
PEAK PEAK PEAK
20
15
10
20
15
10
3
6
0
3
6
0
20
15
10
3
6
0
FB
GATE
NOISE GATES
FOLDBACK
AUX
SENDS
OUT
LEVEL PAN
TRIM
10 BAND GRAPHIC EQ
EQ A EQ
LEV
PFL
MIN MAX
+9
-25
-15
-9
0dB
-6
-3
+3
+6
AUX
FB
LIMIT
A
L
MIN MAX
MIC 48V
GAIN LEV
PASTE
COPY
+9
-25
-9
-15
FB
M
0dB
-3
-6
+6
+3
MAX
B
R
MIN
PROTECT
ENTER
MENU
STANDBY
PERFORM SET
COMP
CHANNEL SAFE
COMPRESSORS
MODE
AMPLIFIER SETUP
SONG
STORE
SONGS
SEQUENCE
MEMORY
VENUE
SET OF
RESET UNDO
VALUE
ESC
MIN
PERFORMANCE
RECALL
UTILITY
HOME
UTIL
MAX
The DP1000 and the DL1000 front panel control layout is the same except for the labelling of
the A, B level controls and MODE select key. This is because the DP1000 includes a built-in
power amplifier, while the DL1000 provides balanced XLR outputs instead. The controls are
soft touch for user comfort, and the display and keys are backlit for viewing in dark conditions.
The A NALOG C ONTROLS match the connected analog inputs and outputs to the console
before and after the digital signal processing. The S TANDBY S WITCH turns off the outputs
and locks the controls when the console is replugged or left unattended. H EADPHONES may
be plugged in to check the individual input and output signals without affecting the mix. A
large D
ISPLAY provides information about the console status and settings according to the
row of controls immediately below. These controls are known as the S OFT S TRIP as their
function is determined by which of the round S ELECT K EYS is active. In this way the same
set of controls is used for many of the console functions such as setting up the EQ, dynamics,
effects and programming the memories. The C
URSOR K EYS are used for memory scrolling,
menu and editing functions and to confirm changes to the settings. The A UTOMATION
C ONTROLS are used for memory recall during live performance, and to isolate selected
channels from the automation. The P ERFORMANCE C ONTROLS provide instant access to
channel levels, muting and monitoring during live mixing.
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