Protea remote control – Ashly System II User Manual
Page 16
Operating Manual - PROTEA SYSTEM II Digital Audio Products
16
7.3 CONTINUOUS CONTROLLER REFERENCE TABLE
Protea
Protea
MIDI
Control
Control
Value
No.
Name
Range
Range
0
31Hz
-15dB to +15dB
4 to 124
1
40Hz
-15dB to +15dB
4 to 124
2
50Hz
-15dB to +15dB
4 to 124
3
63Hz
-15dB to +15dB
4 to 124
4
80Hz
-15dB to +15dB
4 to 124
5
100Hz
-15dB to +15dB
4 to 124
6
125Hz
-15dB to +15dB
4 to 124
7
160Hz
-15dB to +15dB
4 to 124
8
200Hz
-15dB to +15dB
4 to 124
9
250Hz
-15dB to +15dB
4 to 124
10
315Hz
-15dB to +15dB
4 to 124
11
400Hz
-15dB to +15dB
4 to 124
12
500Hz
-15dB to +15dB
4 to 124
13
630Hz
-15dB to +15dB
4 to 124
14
800Hz
-15dB to +15dB
4 to 124
15
1KHz
-15dB to +15dB
4 to 124
16
1.2KHz
-15dB to +15dB
4 to 124
17
1.6KHz
-15dB to +15dB
4 to 124
18
2KHz
-15dB to +15dB
4 to 124
19
2.5KHz
-15dB to +15dB
4 to 124
20
3.1KHz
-15dB to +15dB
4 to 124
21
4KHz
-15dB to +15dB
4 to 124
22
5KHz
-15dB to +15dB
4 to 124
23
6.3KHz
-15dB to +15dB
4 to 124
24
8KHz
-15dB to +15dB
4 to 124
25
10KHz
-15dB to +15dB
4 to 124
26
12KHz
-15dB to +15dB
4 to 124
27
16KHz
-15dB to +15dB
4 to 124
28
Master Gain
OFF to +6dB
4 to 124
29
Limiter Threshold
-20dBu to +20dBu
44 to 84
30
Limiter Ratio
1:1 to
∞
∞
∞
∞
∞
:1
60 to 68
31
Limiter Attack
.5ms to 50ms
61 to 67
32
Limiter Release
10ms to 1 sec
61 to 67
33
Highpass Freq.
20Hz to 10.6KHz
4 to 113
34
Lowpass Freq.
33Hz to 20.1KHz
13 to 125
35
Delay (Coarse Adjust)
0 to 677ms
0 to 127
36
EQ In/Out
Out, In
0 to 63, 64 to 127
37
Limiter In/Out
Out, In
0 to 63, 64 to 127
38
HPF In/Out
Out, In
0 to 63, 64 to 127
39
Delay In/Out
Out, In
0 to 63, 64 to 127
40
Channel Mute
Out, In
0 to 63, 64 to 127
41
Limiter Pre/Post EQ
Pre, Post
0 to 63, 64 to 127
8. PROTEA REMOTE CONTROL
The remote control unit (model 4.24RD) is essentially the "front end" of the 4.24G system processor. It has a
similar interface, but without any audio capabilities. It is used to control the 4.24G, 4.24GS, and 2.24GS, or various
combinations of the three, from a remote location up to 1000 ft away. Two standard XLR cables are used to connect
the remote control to an audio unit. Note: The XLR cables provide DC phantom power to the remote, so pin 1 should
never be connected to ground, and isolation transformers must not be used. For complete information on configura-
tion options when using the remote control, see the table on page 20. Note that the 4.24RD remote will not control
either Parametric Slave. Parametric slaves will only respond to commands from Protea System Software, and while
both types of slaves can be used together, it is best to only use PC control for such hybrid systems.
To conform with the communication standard used in a Protea System, the following functions found in the
main unit are disabled on the remote control.
1.) Channel Linking
2.) Signal Present and Clipping LEDs
3.) Master/Slave select - The remote control always acts as the Master
4.) RS-232/MIDI select - The remote control always sends MIDI data
5.) MIDI Channel assignment is not applicable, as there are no audio channels on the remote
6.) MIDI Monitor is not applicable
7.) Security Screen is disabled - It is assumed that anyone who can access the remote control is fully
authorized to use it.
Parametric Slaves
4.24G Main and Graphic Slaves
Protea
Protea
MIDI
Control
Control
Value
No.
Name
Range
Range
50
Filter 1 Fc
19.7Hz to 20.1KHz
0 to 120
51
Filter 1 BW
1/40 Oct. to 3 1/3 Oct.
0 to 66 (stepsize = 2)
52
Filter 1 Level
-20dB to +10dB
0 to 120 (stepsize = 2)
.
.
.
.
53-82
Filters 2-11
Same
Same
.
.
.
.
83
Filter 12 Fc
19.7Hz to 20.1KHz
0 to 120
84
Filter 12 BW
1/40 Oct. to 3 1/3 Oct.
0 to 66 (stepsize = 2)
85
Filter 12 Level
-20dB to +10dB
0 to 120 (stepsize = 2)
86
Low Shelf Freq
19.7Hz to 243Hz
0 to 87
87
Low Shelf Level
-15dB to +15dB
0 to 60
88
High Shelf Freq
1.63KHz to 20.1KHz
0-87
89
High Shelf Level
-15dB to +15dB
0 to 60
90
Master Gain
Off to +6dB
4 to 124
91-94
Limiter Threshold, Ratio, Attack, Release (Same as Graphic Limiter)
95-96
Highpass Freq, Lowpass Freq (Same as Graphic)
97
Delay - Coarse Adjust (Same as Graphic)
98
EQ In/Out
Out, In
0 to 63, 64 to 127
99
Limiter In/Out
Out, In
0 to 63, 64 to 127
100
HPF/LPF In/Out
Out, In
0 to 63, 64 to 127
101
Delay In/Out
Out, In
0 to 63, 64 to 127
102
Limiter Pre/Post
Pre, Post
0 to 63, 64 to 127
103
Param. Filter 1 In/Out Out, In
0 to 63, 64 to 127
.
.
.
.
104 - 114
Par. Filter 2-12 In/Out Out, In
0 to 63, 64 to 127
.
.
.
.
115
Low Shelf In/Out
Out, In
0 to 63, 64 to 127
116
High Shelf In/Out
Out, In
0 to 63, 64 to 127
117
Channel Mute
Unmute, Mute
0 to 63, 64 to 127
118
Low Shelf Slope
6dB / 12dB per Oct.
0 to 63, 64 to 127
119
High Shelf Slope
6dB / 12dB per Oct.
0 to 63, 64 to 127
*Note: Due to limitations of MIDI, continuous controllers may not necessarily offer
the complete range or resolution of features found within the main 4.24G or 4.24RD
Remote Control. Identical functions on Graphic and Parametric slaves are given
unique controller numbers so independent operation of either unit is possible while
both are in the same Protea system.