Zoom G7.1ut - Manual (Page 30)

Effect Types and Parameters
ZOOM G7.1ut 58
PRE AMP module
This module comprises 35 types of distortion and an acoustic simulator. In edit mode, the
module is adjusted using the [GAIN] and [LEVEL] knobs of the pre-amp section and the
parameter knobs 1 and 2. For each effect type in this module, there are 2 algorithms (for live
playing and direct recording). The algorithms are automatically selected according to the
on/off status of the CABINET module (→ p. 51).
FD Clean VX Clean
Clean sound of a Fender Twin Reverb ('65 model) favored
by guitarists of many music styles. Clean sound of the combo amp VOX AC-30 operating in
class A.
JC Clean HW Clean
Clean sound of the Roland JC series which gives a wide,
clear tone. Clean sound of the legendary all-tube Hiwatt Custom
100 from Britain.
MS Crunch UK Blues
Crunch sound of a Marshall stack amp JCM800 that
varies from clean to crunch. Crunch sound of the 30-watt combo amp Marshall 1962
Bluesbreaker.
US Blues Tweed Bass
Crunch sound of a Fender Tweed Deluxe '53.
Crunch sound of the Fender Bassman, a bass amp with
a strong presence.
BG Crunch VX Crunch
Crunch sound of the Mesa Boogie MkIII combo amp. Crunch sound of class A combo amp Vox AC30TBX.
Z Combo MS Drive
Zoom original combo amp crunch sound. High gain sound of the Marshall stack amp JCM2000.
BG Drive PV Drive
High gain sound of the Mesa Boogie Dual Rectifier
channel 2 (vintage mode). High gain sound of a Peavey 5150 developed in
cooperation with a world-famous hard rock guitarist.
HK Drive DZ Drive
High gain sound of the Hughes & Kettner flagship model
Triamp MKII.
High gain sound of the hand-made German guitar amp
Diezel Herbert with three separately controllable
channels.
Z Stack OverDrive
Zoom original head amp high gain sound.
Simulation of the Boss OD-1 that first created the
"overdrive" concept.
TS808 Centaur
Simulation of the often copied Ibanez TS808 used by
many guitarists as a booster.
Simulation of the KLON Centaur favored by many pros.
Guv'nor RAT
Simulation of the Guv'nor distortion effect from Marshall.
Simulation of the PROCO Rat famous for its edgy
distortion sound.
DS-1 dist +
Simulation of the Boss distortion DS-1, a long-time
favorite. Simulation of MXR distortion+ that made distortion
popular worldwide.
HotBox FuzzFace
Simulation of the compact Matchless HotBox preamp
with built-in tubes. Simulation of the Fuzz Face that made rock history with
its zany look and smashing sound.
BigMuff MetalZone
Simulation of the Electro-Harmonix Big Muff preferred by
famous artists for its fat, sweet fuzz sound. Simulation of the Boss Metal Zone with long sustain and
dynamic lower mid range.
Effect Types and Parameters
ZOOM G7.1ut 59
TS+F_Cmb SD+M_Stk
Combination of Fender combo amp and Ibanez TS-9
sound. Combination of Marshall stack amp and Boss SD-1
sound.
FZ+M_Stk Z OD
Combination of Fuzz Face and Marshall stack amp sound. Zoom original overdrive with natural distortion.
Extreme DS DigiFuzz
High gain sound with the highest gain of any distortion
effect in the world. High gain fuzz sound with strong character.
Z Clean
Zoom original straightforward clean sound.
The above 35 effect types have the same parameters.
GAIN LEVEL
Gain 0 – 100 Level 1 – 100
Adjusts the preamp gain
(distortion depth). Adjusts the signal level after
passing the module.
PARM1 PARM2
Tone 0 – 30 Chain Pre, Post
Adjusts the tonal quality of the
sound.
Selects the connection
position of the pre-amp
section. Available settings are
"Pre" (before MOD/EFX2
module) or "Post" (after
DELAY module).
Aco. Sim
This effect makes an electric guitar sound like an
acoustic guitar.
GAIN LEVEL
Top 0 – 10 Level 1 – 100
Adjusts the characteristic
strings sound of an acoustic
guitar.
Adjusts the signal level after
passing the module.
PARM1 PARM2
Body 0 – 10 Chain Pre, Post
Adjusts the characteristic body
sound of an acoustic guitar.
Selects the connection
position of the pre-amp
section. Available settings are
"Pre" (before MOD/EFX2
module) or "Post" (after
DELAY module).
EQ module
This is a 6-band equalizer. In edit mode, the module is adjusted using the [BASS], [MIDDLE],
[TREBLE], and [PRESENCE] knobs of the pre-amp section and the parameter knobs 3 and 4.
BASS MIDLE TREBLE PRESENCE
Bass ±12
160Hz
Middle ±12
800Hz
Treble ±12
3.2kHz
Presence ±12
6.4kHz
Adjusts boost/cut in the low
frequency range. Adjusts boost/cut in the
middle frequency range. Adjusts boost/cut in the high
frequency range. Adjusts boost/cut in the very
high frequency range.
PARM3 PARM4
Low-Mid ±12
400Hz
Harmonics ±12
12kHz
Adjusts boost/cut in the lower-
middle frequency range. Adjusts boost/cut in the
harmonics frequency range.