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Zoom G7.1ut User Manual

Page 29

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Effect Types and Parameters

ZOOM G7.1ut

56

Tremolo

This effect periodically varies the volume level.

PARM1

PARM2

PARM3

PARM4

Depth

0 – 100

Rate

0 – 50

Wave

UP 0 – 9,

DWN 0 – 9,

TRI 0 – 9

Level

2 – 100

Adjusts the modulation depth. Adjusts the modulation rate.

Controls the modulation
waveform. Available waveform
types are "UP" (rising
sawtooth), "DWN" (falling
sawtooth), and "TRI"
(triangular). Higher numerical
values result in stronger
clipping, which emphasizes the
effect.

Adjusts the signal level after
passing the module.

Phaser

This effect produces a swooshing sound.

PARM1

PARM2

PARM3

PARM4

Position

Befr, Aftr

Rate

0 – 50

Color

1 – 4

Level

2 – 100

Selects the connection position
of the WAH/EFX1 module.
Available settings are "Befr"
(before pre-amp section) or
"Aftr" (after pre-amp section).

Adjusts the modulation rate.

Adjusts the sound color.

Adjusts the signal level after
passing the module.

Ring Modulate

This effect produces a metallic ringing sound. Adjusting the "Freq" parameter results in a drastic change of sound
character.

PARM1

PARM2

PARM3

PARM4

Position

Befr, Aftr

Frequency

1 – 50

Balance

0 – 100

Level

2 – 100

Selects the connection position
of the WAH/EFX1 module.
Available settings are "Befr"
(before pre-amp section) or
"Aftr" (after pre-amp section).

Adjusts the modulation
frequency.

Adjusts the balance between
original sound and effect
sound.

Adjusts the signal level after
passing the module.

Slow Attack

This effect slows down the attack rate of the sound, resulting in a violin playing style sound.

PARM1

PARM2

PARM3

PARM4

Position

Befr, Aftr

Time

1 – 50

Curve

0 – 10

Level

2 – 100

Selects the connection position
of the WAH/EFX1 module.
Available settings are "Befr"
(before pre-amp section) or
"Aftr" (after pre-amp section).

Adjusts the rise time.

Adjusts the rising volume
change curve.

Adjusts the signal level after
passing the module.

Pedal Vox

Simulation of the vintage Vox pedal wah.

Pedal Cry

Simulation of the vintage Crybaby pedal wah.
The above two effect types have the same parameters.

PARM1

PARM2

PARM3

PARM4

Position

Befr, Aftr

Frequency

1 – 50

Dry Mix

0 – 10

Level

2 – 100

Selects the connection position
of the WAH/EFX1 module.
Available settings are "Befr"
(before pre-amp section) or
"Aftr" (after pre-amp section).

Adjusts the frequency that is
emphasized. When the
expression pedal is not used,
the effect is similar to a half
open pedal.

Adjusts the level of the
original sound mixed to the
effect sound.

Adjusts the signal level after
passing the module.

Effect Types and Parameters

ZOOM G7.1ut

57

P-Resonance

Pedal wah with a strong character.

PARM1

PARM2

PARM3

PARM4

Position

Befr, Aftr

Frequency

1 – 50

Resonance

0 – 10

Level

2 – 100

Selects the connection position
of the WAH/EFX1 module.
Available settings are "Befr"
(before pre-amp section) or
"Aftr" (after pre-amp section).

Adjusts the modulation
frequency.

Adjusts the resonance
intensity.

Adjusts the signal level after
passing the module.

Octave

This effect adds a one-octave lower component to the original sound.

PARM1

PARM2

PARM3

PARM4

OctLevel

0 – 100

DryLevel

0 – 100

Tone

0 – 10

Level

2 – 100

Adjusts the level of the one-
octave lower sound
component.

Adjusts the level of the
original sound.

Adjusts the tonal quality of the
sound.

Adjusts the signal level after
passing the module.

ZNR module

This module serves for reducing noise during playing pauses. It offers a choice between
noise reduction and noise gate (muting during pauses).

ZNR (ZOOM NOISE REDUCTION)

ZOOM original noise reduction which reduces noise in playing pauses without affecting the overall tone.

Noise Gate

This is a noise gate which cuts off the sound during playing pauses.

Dirty Gate

This is a vintage type gate with special closing characteristics.
The above three effect types have the same parameter.

PARM1

Threshold

1 – 16

Adjusts the ZNR sensitivity.
For maximum noise reduction,
set the value as high as
possible without causing the
sound to decay unnaturally.