About the listening modes, Using the listening modes —continued – Onkyo HT-S5200 User Manual
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The AV receiver’s listening modes can transform your
listening room into a movie theater or concert hall, with
high fidelity and stunning surround sound.
Direct
In this mode, audio from the input source is output
directly with minimal processing, providing high-
fidelity reproduction. All of the source’s audio channels
are output as they are.
Stereo
Sound is output by the front left and right speakers and
subwoofer.
Mono
Use this mode when watching an old movie with a mono
soundtrack, or use it with the foreign language
soundtracks recorded in the left and right channels of
some movies. It can also be used with DVDs or other
sources containing multiplexed audio, such as karaoke
DVDs.
Dolby Pro Logic IIx
Dolby Pro Logic II
Dolby Pro Logic IIx expands any 2-channel source for
7.1-channel playback. It provides a very natural and
seamless surround-sound experience that fully envelops
the listener. As well as music and movies, video games
can also benefit from the dramatic spatial effects and
vivid imaging. If you’re not using any surround back
speakers, Dolby Pro Logic II will be used instead of
Dolby Pro Logic IIx.
• Dolby PLIIx Movie
Use this mode with any stereo or Dolby Surround
(Pro Logic) movie (e.g., TV, DVD, VHS).
• Dolby PLIIx Music
Use this mode with any stereo or Dolby Surround
(Pro Logic) music source (e.g., CD, radio, cassette,
TV, VHS, DVD).
• Dolby PLIIx Game
Use this mode with video games, especially those
that bear the Dolby Pro Logic II logo.
Dolby Digital
Use this mode with DVDs that bear the Dolby Digital
logo, and Dolby Digital TV broadcasts. This is the most
common digital surround-sound format, and it’ll put you
right in the middle of the action, just like being in a
movie theater or concert hall.
5.1-channel source + Dolby EX
These modes expand 5.1-channel sources for 6.1/7.1-
channel playback. They’re especially suited to Dolby EX
soundtracks that include a matrix-encoded surround
back channel. The additional channel adds an extra
dimension and provides an enveloping surround sound
experience, perfect for rotating and fly-by sound effects.
5.1-channel source + Dolby PLIIx Music
These modes use the Dolby Pro Logic IIx Music mode
to expand 5.1-channel sources for 6.1/7.1-channel
playback.
5.1-channel source + Dolby PLIIx Movie
These modes use the Dolby Pro Logic IIx Movie mode
to expand 5.1-channel sources for 7.1-channel playback.
DTS
The DTS digital surround-sound format supports up to
5.1 discrete channels and uses less compression for high-
fidelity reproduction. Use it with DVDs and CDs that
bear the DTS logo.
DTS 96/24
This mode is for use with DTS 96/24 sources. This is
high-resolution DTS with a 96 kHz sampling rate and
24-bit resolution, providing superior fidelity. Use it with
DVDs that bear the DTS 96/24 logo.
DTS-ES Discrete
This mode is for use with DTS-ES Discrete soundtracks,
which use a discrete surround back channel for true
6.1/7.1-channel playback. The seven totally separate
audio channels provide better spatial imaging and 360-
degree sound localization, perfect for sounds that pan
across the surround channels. Use it with DVDs that bear
the DTS-ES logo, especially those with a DTS-ES
Discrete soundtrack.
DTS-ES Matrix
This mode is for use with DTS-ES Matrix soundtracks,
which use a matrix-encoded back-channel for 6.1/7.1-
channel playback. Use it with DVDs that bear the DTS-
ES logo, especially those with a DTS-ES Matrix
soundtrack.
DTS Neo:6
This mode expands any 2-channel source for up to 7.1-
channel playback. It uses seven full-bandwidth channels
of matrix decoding for matrix-encoded material,
providing a very natural and seamless surround sound
experience that fully envelops the listener.
• Neo:6 Cinema
Use this mode with any stereo movie (e.g., TV,
DVD, VHS).
• Neo:6 Music
Use this mode with any stereo music source (e.g.,
CD, radio, cassette, TV, VHS, DVD).
5.1-channel source + Neo:6
This mode uses Neo:6 to expand 5.1-channel sources for
6.1/7.1-channel playback.
About the Listening Modes
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