Track (adrums~acc6, all), Beat (1~[number of beats per bar])—specifies the, Bar (1~[last measure of the track or pattern]) – Roland E-60 User Manual

Page 164: Cpt (1~119)

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Programming Styles (Style Composer)

164

E-60/E-50 Music Workstation

■TO NOTE (0 C-~127 G9)

This parameter allows you to set the upper limit of the note
range to be modified within the specified FROM/TO time
range.

■Fine-tuning the note range

Before setting “FROM NOTE” (and possibly “TO NOTE”), you
can decide how you want to use the note indications.
Depending on the option you choose, “FROM NOTE” may
not even be available, so that setting it beforehand would
be a waste of time.

See “Fine-tuning the note range” on p. 131 for an illustra-
tion.

■RESOLUTION

(1/4, 1/8, 1/8T, 1/16, 1/16T, 1/32, 1/32T, 1/64)

This parameter sets the resolution of the Quantize func-
tion. Be sure to always select the value of the shortest note
you recorded. Otherwise, your part no longer sounds the
way you played it, because shorter notes are shifted to the
wrong positions.

■STRENGTH (0%~100%)

Use this parameter to specify how precise the timing cor-
rection should be. “0%” means that the selected RESOLU-
TION value is not applied (“0% correction”), while “100%”
means that all notes are shifted to the mathematically cor-
rect positions.

■EXECUTE

Press this field to confirm your settings and edit the data.

ERASE allows you to selectively delete data either
within a specified range of measures, beats or clocks
or from the entire track(s). When DATA TYPE is set to
“ALL”, ERASE substitutes the required number of rests
for the data you delete, so that you end up with the
equivalent number of blank measures. If you also
want to eliminate the measures themselves, use
DELETE (see below).

■TRACK (ADrums~Acc6, ALL)

Allows you to select the track you wish to edit. You can
also select “ALL” here, in which case the operation applies
to all tracks.

■MODE

Allows you to select the Mode to be edited: “Major”,
“minor” or “7th”.

■DIVISION

Use this parameter to select the Division you want to edit:
Intro 1~4, Main 1~4, Fill Dwn 1~3, Fill Up 1~3, End 1~4.

■FROM

● BAR (1~[last measure of the track or pattern])—Refers

to the first measure to be edited. By default, the FROM
value is set to the beginning of the selected track(s).

● BEAT (1~[number of beats per bar])—Specifies the

beat position. The number of selectable beats depends
on the selected time signature.

● CPT (1~119)—Refers to the starting CPT position. “CPT”

is short for “Clock Pulse Time”, the smallest unit used by
the E-60/E-50. (There are 120 CPTs to every beat of a 4/4
bar.) Change this setting only if your edit operation
should start after the selected beat.

■TO

By default, the TO position is set to the last event of the
selected track (or the last event of the longest track when
you select “ALL”).
● BAR (1~[last measure of the track or pattern])—This is

where you specify the last measure to be edited.

● BEAT (1~[number of beats per bar])—Specifies the

beat position. The number of selectable beats depends
on the selected time signature.

● CPT (1~119)—Refers to the last clock that should be

affected by the edit operation. Change this setting only
if your edit operation should not end exactly on the
selected beat.

Note: If you only need to edit one event (or message), we
recommend using the STYLE MICRO EDIT page (page 170).

[EQUAL]

Only the selected note (note name/note num-
ber) will change. (The note can be set using
the TO NOTE field.)

[UNEQUAL] All notes except the one you select will

change. (The note can be set using the TO
NOTE field.)

[HIGHER]

Only notes above the selected one will
change. (The note can be set using the THAN
NOTE field.)