Roland MC-909 - Manual (Page 107)

107
Multi-Effects List
Effects
46: TIME CONTROL DELAY (MFX2 only)
This lets you smoothly vary the delay time. As the delay time is
varied, the pitch will change correspondingly; lengthening the delay
time will lower the pitch, and shortening it will raise the pitch.
fig.MFX46
47: TIME SKIP DELAY (MFX2 only)
A delay that changes the delay time in stair-step fashion.
fig.MFX47
note:
fig.notelist2.e
Parameter Value Description
Delay #1 0–4000 ms,
note Adjusts the time until the delay is
heard.
Feedback
#2 -98– +98 % Adjusts the amount of the delay
that’s fed back into the effect. Nega-
tive (-) settings invert the phase.
Accelera-
tion 0–15 Adjusts the time over which the De-
lay Time changes from the current
setting to a specified new setting.
The rate of change for the Delay
Time directly affects the rate of
pitch change.
HF Damp 200–8000
Hz, BY-
PASS Adjusts the frequency above which
sound fed back to the effect is fil-
tered out. If you do not want to filter
out any high frequencies, set this
parameter to BYPASS.
Pan L64–63R Stereo location of the delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W–
D0:100W Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Control Delay
Parameter Value Description
Delay #1 0–4000 ms,
note Adjusts the time until the delay is
heard.
Skip Rate 0.05–10.0
Hz, note Frequency at which the delay time
will change
Feedback
#2 -98– +98 % Adjusts the amount of the delay
sound that’s fed back into the effect.
Negative (-) settings invert the
phase.
Accelera-
tion 0–15 Adjusts the time over which the De-
lay Time changes from the current
setting to its specified new setting.
HF Damp 200–8000
Hz, BY-
PASS Adjusts the frequency above which
sound fed back to the effect is fil-
tered out. If you don’t want to filter
out any high frequencies, set this
parameter to BYPASS.
Pan L64–63R Stereo location of the delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W–
D0:100W Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Skip Delay
(Double note) (Dotted whole note),
(Dotted half note),
(Dotted thirty-second note),
(Whole note),
(Double-note triplet),
(Sixteenth-note triplet), (Thirty-second note),
(Sixty-fourth-note triplet), (Sixty-fourth note), (Thirty-second-note triplet),
(Dotted eighth note), (Quarter-note triplet), (Eighth note),
(Half-note triplet), (Quarter note), (Dotted quarter note),
(Whole-note triplet),
(Half note),
(Sixteenth note), (Eighth-note triplet), (Dotted sixteenth note),
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