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Recording the first track – Yamaha MT3X User Manual

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RECORDING THE FIRST TRACK

STEP 1: CHANNEL-TO-TRACK ASSIGNMENT

The first Step in making any recording is to assign the channel to which your instrument or other source is connected

to one of the recorder’s tracks.

Depending on what you are recording, you might want to record a single instrument or other source to a single track

on the recorder, or you might want to combine several instruments or other sources and record them on a single
track. The MT3X offers two “channel-to-track assignment” methods that can be used individually or combined to give
you the track assignments that you need.

Direct Channel-to-Track Assignment

With this method, an instrument or source connected to
one of the mixer’s first four channels is fed directly to
the correspondingly numbered track of the recorder.
You can record a single track like this, or up to all four
tracks simultaneously.

For direct channel-to-track assignment, the REC SE­
LECT switch of the channel(s) to be recorded must be

set to the “number" position (1, 2, 3 or 4). For exampie,
if the channel 1 REC SELECT switch is set to “1,” the

channel 1 signal will be sent directly to track 1 of the
recorder. This applies in the same way to all other
channels and tracks.

Panned Channei-to-Track Assignment

The panned channel-to-track assignment method

makes it possible to assign several of the mixer’s chan­
nels to a single recorder track, or single mixer channels

can be assigned to different track numbers.

Each of the REC SELECT switches has either an “L” or

“R” position. These correspond to the left (L) and right
(R) channels of the mixer’s output. If a REC SELECT
switch is set to “L,” for example, any of the mixer’s six
channels can be assigned to the correspondingly num­
bered track by setting its PAN control fully LEFT. You

could assign channei 1 to track 4, for example, by set­
ting the channel-4 REC SELECT switch to “R” and the

channel-1 PAN control fully RIGHT.
The assignment shown in the diagram below is

achieved by setting the channel-4 REC SELECT switch

to “R,” and setting the PAN controls of channel 1, 2, 3

and 6 fully RIGHT. The channel-4 and channel-5 PAN
controls are set fully LEFT to prevent their signal from
reaching track 4 of the recorder.

MIXER SECTION RECORDER SECTION

CHAN. 1

CHAN. 2

CHAN. 3

CHAN. 4

CHAN. 5

CHAN. 6

TRACK 1

TRACK 2

TRACK 3

TRACK 4

MIXER SECTION

CHAN.1

CHAN.2

CHAN.3

CHAN.4

CHAN .5

CHAN.6

RECORDER SECTION

TRACK 1

TRACK 2

TRACK 3

TRACK 4

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