Connecting to the drum sound module, Playing method, Main specifications – Roland CY-18DR V-Cymbal Digital Ride User Manual
Page 3: Recommended settings for the trigger parameters, Roland cy-18dr: v-cymbal digital ride
3
Main Specifications
Roland CY-18DR: V-Cymbal Digital Ride
Size
18 inches
Triggers
3 (Bow/Bell/Edge)
Connector
DIGITAL TRIGGER OUT connector
(compatible with Roland drum sound module equipped with DIGITAL TRIGGER IN port)
Power Supply
DIGITAL TRIGGER bus power (DC 5 V)
Current draw
90 mA
Dimensions
470 (W) x 470 (D) x 55 (H) mm
18-9/16 (W) x 18-9/16 (D) x 2-3/16 (H) inches
Weight
2.1 kg / 4 lbs 11 oz
Accessories
Owner’s manual, Wing nut, Felt washer, Stopper, Connection cable, Cable tie
Options
(sold separately)
Cymbal mount (MDY series)
Cymbal parts set (CYM-10)
* This document explains the specifications of the product at the time that the document was issued. For the latest information, refer to the Roland
website.
Connecting to the Drum Sound Module
Use a Roland drum sound module that supports digital
connections.
1.
Insert the plug of the connection cable into the drum
sound module’s DIGITAL TRIGGER IN port.
2.
On the drum sound module, make settings for using the
CY-18DR.
* For details, refer to the owner’s manual of your drum sound
module.
Recommended settings for the trigger parameters
The first time you connect the CY-18DR to your drum sound
module, the recommended values are assigned to the trigger
parameters.
You may need to adjust the trigger parameters depending on how
you’ve mounted the CY-18DR and the location at which you’ve
installed it.
For details on editing refer to the owner’s manual of your drum
sound module.
Playing Method
The response to various playing methods depends on the drum
sound module.
For details, refer to the owner’s manual of your drum sound module.
NOTE
5
Use only wooden or plastic sticks. Using a carbon or metal
stick may cause the sensor to malfunction.
5
Use nylon brushes. Using metal brushes may cause the
sensor to malfunction, and may scratch the pad.
Playing method
Explanation
Bow shot
Nuance changes depending
on the strike location
This is the most common playing
method, playing the middle area of the
cymbal. It corresponds to the sound
of the “head-side” of the connected
trigger input.
Edge shot
Edge sensor
This playing method involves striking
the edge with the shoulder of the stick.
When played as shown in the figure,
the rim sound of the connected input
is triggered.
Bell shot
This is the technique of striking the
bell.
Striking the bell area will produce the
rim sound of the connected trigger
input.
Strike using the shoulder of the stick.
Choke play
Edge sensor
Sensor
If you use your hand to choke (grasp)
the edge sensor after striking the
cymbal, the sound stops.
In addition, placing your hand on the
sensor will also stop the sound (mute).
If you strike the cymbal in a choked or
mute state, it rings a shorter time.