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Ifb audio levels, Phantom power – Studio Technologies 210 2008 User Manual

Page 26

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Issue 4, October 2008

Model 210 User Guide

Page 26

Studio Technologies, Inc.

IFB circuits “dry” (no DC) and differential
(balanced). This would gain the benefits
of differential transmission, including mini-
mizing the crosstalk. If optional line input
cards have been installed in the Model
210, the balanced line-level signals can be
directly connected. However, if it’s desired
to connect cue sources to the Model 210
using an IFB-type circuit, the line-level
audio signals will need to be “wetted up”
into standard IFB circuits. This is easily
accomplished using one of several high-
performance IFB interface units from Stu-
dio Technologies. For further information
please refer to the Studio Technologies
website.

IFB Audio Levels

The Model 210 is designed to operate
best with IFB audio levels that are nomi-
nally –10 dBu. This is the nominal level
of most IFB systems, such as the RTS
4000-series. But actually having the cor-
rect level present on an IFB circuit is often
a “hit-or-miss” proposition. During field
testing of prototype announcer’s consoles,
Studio Technologies’ personnel found that
a wide range of nominal audio levels were
present on “real-world” IFB circuits. Many
were fine, being reasonably close to the
desired –10 dBu. But some were much too
low, while others were much too “hot.” We
observed one unfortunate baseball “color”
commentator being sent interrupt audio
signals so “hot” relative to program audio
as to almost make his ears bleed! This
situation should not have been allowed
to happen.

In defense of field technical personnel,
measuring the audio level of an IFB circuit
hasn’t traditionally been an easy proposi-
tion. But that situation has now changed.
After experiencing this condition in the

“field,” Studio Technologies’ engineers
were motivated to design the Model 72
Level Meter/Interface. This compact
device plugs directly into IFB and intercom
circuits and provides two useful functions:
level meters and “dry” audio outputs. Two
5-segment LED meters allow direct obser-
vation of the audio signal levels present on
IFB or intercom circuits. The display range
is optimized for the signal levels found on
these circuits, rather than traditional “VU”
scaling.

The Model 72 also provides two trans-
former-coupled “dry” audio outputs, one
for each IFB or intercom channel. These
outputs are useful for a variety of produc-
tion and testing applications. For example,
the outputs can serve as the interface
between a traditional “wet” IFB system
and a wireless in-ear monitor system. The
outputs can also be connected to a moni-
tor panel, allowing visual and aural moni-
toring of the IFB audio signals.

In conclusion, we’re sorry for this shame-
less promotion of the Model 72 Level
Meter/Interface! But necessity was defi-
nitely the “mother” when it came to the
unit’s invention. Working “in the field”
without such a device, we felt “blind” when
connecting to IFB circuits. That no longer
has to be the case and we think that you’ll
find owning one a very worthwhile invest-
ment. For further information please refer
to the Studio Technologies website.

Phantom Power

The Model 210 provides a 48 volt nominal
source of phantom power to support con-
denser-type microphones. It’s designed
to meet the P48 requirements as specified
in the IEC 61938 standard. The circuitry is
very simple: two 6.81 k ohm resistors pro-
vide a path from a 48 volt source to pins 2