Multi-speaker system, Output level matching and balance, Output drive and inserts – Allen&Heath GL4800 USER GUIDE User Manual
Page 55: The matrix mix and delay speakers, Gl4800, R2 3 4, User guide, Select, Out rev, Enable
GL4800
User Guide
55
Multi-Speaker System
6 Speaker system driven from the matrix and LR2
outputs. Provides output balance and level trim
independent of the mix levels. All outputs are
balanced XLR with inserts for EQ, delay or other
signal processors.
Output Level Matching and Balance
This example shows the matrix and LR2 outputs feeding the speaker system. Here all the
output controls are grouped together at the top of the panel away from the normal
operating area. Select POST for LR2 so that the output follows the LR faders. Adjust LEV
to match the operating level of each amplifier to give the desired listening level with
optimum console signals (faders and meters operating around '0'). A correctly matched
system ensures the best signal-to-noise and headroom performance. The balance between
the speakers can also be adjusted using LEV. Press ON to turn on or off selected speakers
in the system, useful in checking the effect of each. Use AFL to monitor each output post
level control but pre ON switch.
Output Drive and Inserts
Select
OUT REV for interference free balanced XLR drive to the amplifiers. This also
provides an insert on each output for graphic EQ, delays and other signal processing
devices. Inserting graphics lets you tune the frequency response of each speaker in the
system for best clarity, acoustic correction and feedback reduction.
The Matrix Mix and Delay Speakers
Use the matrix to create the required mix to the delay speakers which improves the
intelligibility of the sound to the rear of the audience. The balance of the group signals to
the matrix may be different to the subgroups feeding LR to ensure that the focus of the
sound is not lost. Insert a delay unit to compensate for the acoustic delay from stage to
speakers. Insert a graphic EQ to compensate for the local acoustics and to remove some
LF and HF which may distract the listener from the true source of the sound.
1
+6
+9
+16
OUT REV
OUT REV
OUT REV
OUT REV
OUT REV
OUT REV
-20
0dB
+5
+10dB
LEV
LEV
LEV
LEV
LEV
LEV
+8
-2
-10
PRE
POST
PRE
POST
OUTPUT
TRIM
ENABLE
PFL
2
3
4
5
6
7
8
L
R
M
LEV
2TRK RETURN
MONO
GRP
1
PRE
POST
-15
-30
-20
-10
-5
0dB
OUTPUT
TRIM
ENABLE
GRP
2
PRE
POST
-15
-30
-20
-10
-5
0dB
OUTPUT
TRIM
ENABLE
GRP
3
PRE
POST
-15
-30
-20
-10
-5
0dB
OUTPUT
TRIM
ENABLE
GRP
4
PRE
POST
-15
-30
-20
-10
-5
0dB
OUTPUT
TRIM
ENABLE
GRP
5
PRE
PRE
POST
AFL
PFL
-15
-30
-20
-10
-5
0dB
-15
-30
-20
-10
-5
0dB
-15
-30
-20
-10
-5
0dB
-15
-30
-20
-10
-5
0dB
-15
-30
-20
-10
-5
0dB
-15
-30
-20
-10
-5
0dB
-15
-30
-20
-10
-5
0dB
AFL
AFL
AFL
AFL
AFL
AFL
ON
ON
ON
ON
ON
ON
ACTIVE
STEREO PFL
+6
+9
+16
+6
+9
+16
+6
+9
+16
+6
+9
+16
+6
+9
+16
+6
+9
+16
+6
+9
+16
+6
+9
+16
+6
+9
+16
+6
+9
+16
TO L-R
REPLAY
SNAPSHOT
-5
-30
AUX
GRP
L2
R2
MTX1
MTX2
MTX4
MTX3
MTX
(MAI
N)
R
GL
4800
R
MIC
LINE
IN
SEND
XLR
INSE
RT
RET
STER
EO
LINE
IN
L
/MON
O
SEND
RET
INSE
RT
SEND
RET
INSE
RT
M
RETU
RN
2-TR
ACK
R
L
GROU
ND
CH
ASSIS
RESE
T
THRU
MIDI
IN
OUT
9
AUX10
2
2
L
R
FO
R MAT
RIX
/LR2
ON
XLR
+ INSE
RTS
=
MODE
OUT R
EV
AUX8
7
6
5
LOCA
L
4
3
2
1
METE
RPOD
DIR
ECT
OUT
INSE
RT
RET
SEND
LINE
IN
MIC
LINE
IN
1
2
4
3
1
2
4
5
6
7
8
3
GRP
INSE
RT
RET
SEND
GRP
INSE
RT
RET
SEND
GRP
INSE
RT
RET
SEND
GRP
INSE
RT
RET
SEND
GRP
INSE
RT
RET
SEND
GRP
INSE
RT
RET
SEND
GRP
INSE
RT
RET
SEND
GRP
INSE
RT
RET
SEND
AUX
INSE
RT
RET
SEND
AUX
INSE
RT
RET
SEND
AUX
INSE
RT
RET
SEND
AUX
INSE
RT
RET
SEND
RET RET RET
L
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
AUX
5
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
AUX
6
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
AUX
7
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
AUX
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
AUX
9
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
SEND
RET
INSE
RT
AUX
10
L
R
INSE
RT
SEND
INSE
RT
SEND
INSE
RT
SEND
INSE
RT
SEND
RET
INSE
RT
RET
SEND
INSE
RT
RET
SEND
INSE
RT
RET
SEND
INSE
RT
RET
SEND
MONI
TO
R 1
0
MONI
TOR
9
MON
ITO
R 8
MON
ITO
R 7
MON
ITOR
6
MO
NIT
OR
5
MO
NIT
OR
4
MON
ITO
R
3
MO
NIT
OR
2
MONI
TO
R 1
STAG
E MONI
TOR
MOD
E
DC POW
ER I
N
A
(BAC
KUP
)
B
LIST
EN W
EDG
E
OUT2
MATR
IX
SEND
RET
INSE
RT
SEND
RET
INSE
RT
POST
-15
-30
-20
-10
-5
0dB
OUTPUT
TRIM
ENABLE
GRP
6
PRE
POST
-15
-30
-20
-10
-5
0dB
OUTPUT
TRIM
ENABLE
GRP
7
PRE
POST
-15
-30
-20
-10
-5
0dB
OUTPUT
TRIM
ENABLE
GRP
8
GL4800
LAMP
LAMP
MULTI FUNCTION AUDIO MIXING CONSOLE
3k
700
500Hz
1k
7k
15k
5k
-15
+15
7kHz
2kHz
3k
20kHz
10k
HF
+48V
10
-10
GAIN
20
0dB
40dB
60
50
40
30 10
6
MIC
LINE
-14
200
HPF
400Hz
OFF
20
100
50Hz
30
Q
LINE
MIC
PAD
POLARITY
TO
L-R
DIRECT
+48V
10
-10
20
0dB
40dB
60
50
40
30
200
HPF
400Hz
OFF
20
100
50Hz
30
10
6
MIC
LINE
-14
LINE
MIC
PAD
-5
-20
-10
+5
+10dB
0dB
-30
REVERSE
WIDE
MONO
WIDTH
STEREO
GAIN
STEREO
GAIN
XLR
POLARITY
POLARITY
POLARITY
(R)
GRAPHIC EQ
3
4
R2
3
4
press
mode
switches
L2
1
2
3
4
L
R
inserts
output
control
DELAY
FILL
1
DELAY
FILL
2
R2
L2
4
3
DELAY
DELAY
2
1
2
1
1
2
POWER AMPLIFIERS
R2
L2