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Multi-speaker system, Output level matching and balance, Output drive and inserts – Allen&Heath GL4800 USER GUIDE User Manual

Page 55: The matrix mix and delay speakers, Gl4800, R2 3 4, User guide, Select, Out rev, Enable

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GL4800

User Guide

55

Multi-Speaker System

6 Speaker system driven from the matrix and LR2
outputs. Provides output balance and level trim
independent of the mix levels. All outputs are
balanced XLR with inserts for EQ, delay or other
signal processors.

Output Level Matching and Balance

This example shows the matrix and LR2 outputs feeding the speaker system. Here all the
output controls are grouped together at the top of the panel away from the normal
operating area. Select POST for LR2 so that the output follows the LR faders. Adjust LEV
to match the operating level of each amplifier to give the desired listening level with
optimum console signals (faders and meters operating around '0'). A correctly matched
system ensures the best signal-to-noise and headroom performance. The balance between
the speakers can also be adjusted using LEV. Press ON to turn on or off selected speakers
in the system, useful in checking the effect of each. Use AFL to monitor each output post
level control but pre ON switch.

Output Drive and Inserts

Select

OUT REV for interference free balanced XLR drive to the amplifiers. This also

provides an insert on each output for graphic EQ, delays and other signal processing
devices. Inserting graphics lets you tune the frequency response of each speaker in the
system for best clarity, acoustic correction and feedback reduction.

The Matrix Mix and Delay Speakers

Use the matrix to create the required mix to the delay speakers which improves the
intelligibility of the sound to the rear of the audience. The balance of the group signals to
the matrix may be different to the subgroups feeding LR to ensure that the focus of the
sound is not lost. Insert a delay unit to compensate for the acoustic delay from stage to
speakers. Insert a graphic EQ to compensate for the local acoustics and to remove some
LF and HF which may distract the listener from the true source of the sound.

1

+6

+9

+16

OUT REV

OUT REV

OUT REV

OUT REV

OUT REV

OUT REV

-20

0dB

+5

+10dB

LEV

LEV

LEV

LEV

LEV

LEV

+8

-2

-10

PRE

POST

PRE

POST

OUTPUT

TRIM

ENABLE

PFL

2

3

4

5

6

7

8

L

R

M

LEV

2TRK RETURN

MONO

GRP

1

PRE

POST

-15

-30

-20

-10

-5

0dB

OUTPUT

TRIM

ENABLE

GRP

2

PRE

POST

-15

-30

-20

-10

-5

0dB

OUTPUT

TRIM

ENABLE

GRP

3

PRE

POST

-15

-30

-20

-10

-5

0dB

OUTPUT

TRIM

ENABLE

GRP

4

PRE

POST

-15

-30

-20

-10

-5

0dB

OUTPUT

TRIM

ENABLE

GRP

5

PRE

PRE

POST

AFL

PFL

-15

-30

-20

-10

-5

0dB

-15

-30

-20

-10

-5

0dB

-15

-30

-20

-10

-5

0dB

-15

-30

-20

-10

-5

0dB

-15

-30

-20

-10

-5

0dB

-15

-30

-20

-10

-5

0dB

-15

-30

-20

-10

-5

0dB

AFL

AFL

AFL

AFL

AFL

AFL

ON

ON

ON

ON

ON

ON

ACTIVE

STEREO PFL

+6

+9

+16

+6

+9

+16

+6

+9

+16

+6

+9

+16

+6

+9

+16

+6

+9

+16

+6

+9

+16

+6

+9

+16

+6

+9

+16

+6

+9

+16

TO L-R

REPLAY

SNAPSHOT

-5

-30

AUX

GRP

L2

R2

MTX1

MTX2

MTX4

MTX3

MTX

(MAI

N)

R

GL

4800

R

MIC

LINE

IN

SEND

XLR

INSE

RT

RET

STER

EO

LINE

IN

L

/MON

O

SEND

RET

INSE

RT

SEND

RET

INSE

RT

M

RETU

RN

2-TR

ACK

R

L

GROU

ND

CH

ASSIS

RESE

T

THRU

MIDI

IN

OUT

9

AUX10

2

2

L

R

FO

R MAT

RIX

/LR2

ON

XLR

+ INSE

RTS

=

MODE

OUT R

EV

AUX8

7

6

5

LOCA

L

4

3

2

1

METE

RPOD

DIR

ECT

OUT

INSE

RT

RET

SEND

LINE

IN

MIC

LINE

IN

1

2

4

3

1

2

4

5

6

7

8

3

GRP

INSE

RT

RET

SEND

GRP

INSE

RT

RET

SEND

GRP

INSE

RT

RET

SEND

GRP

INSE

RT

RET

SEND

GRP

INSE

RT

RET

SEND

GRP

INSE

RT

RET

SEND

GRP

INSE

RT

RET

SEND

GRP

INSE

RT

RET

SEND

AUX

INSE

RT

RET

SEND

AUX

INSE

RT

RET

SEND

AUX

INSE

RT

RET

SEND

AUX

INSE

RT

RET

SEND

RET RET RET

L

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

AUX

5

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

AUX

6

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

AUX

7

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

AUX

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

AUX

9

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

SEND

RET

INSE

RT

AUX

10

L

R

INSE

RT

SEND

INSE

RT

SEND

INSE

RT

SEND

INSE

RT

SEND

RET

INSE

RT

RET

SEND

INSE

RT

RET

SEND

INSE

RT

RET

SEND

INSE

RT

RET

SEND

MONI

TO

R 1

0

MONI

TOR

9

MON

ITO

R 8

MON

ITO

R 7

MON

ITOR

6

MO

NIT

OR

5

MO

NIT

OR

4

MON

ITO

R

3

MO

NIT

OR

2

MONI

TO

R 1

STAG

E MONI

TOR

MOD

E

DC POW

ER I

N

A

(BAC

KUP

)

B

LIST

EN W

EDG

E

OUT2

MATR

IX

SEND

RET

INSE

RT

SEND

RET

INSE

RT

POST

-15

-30

-20

-10

-5

0dB

OUTPUT

TRIM

ENABLE

GRP

6

PRE

POST

-15

-30

-20

-10

-5

0dB

OUTPUT

TRIM

ENABLE

GRP

7

PRE

POST

-15

-30

-20

-10

-5

0dB

OUTPUT

TRIM

ENABLE

GRP

8

GL4800

LAMP

LAMP

MULTI FUNCTION AUDIO MIXING CONSOLE

3k

700

500Hz

1k

7k

15k

5k

-15

+15

7kHz

2kHz

3k

20kHz

10k

HF

+48V

10

-10

GAIN

20

0dB

40dB

60

50

40

30 10

6

MIC

LINE

-14

200

HPF

400Hz

OFF

20

100

50Hz

30

Q

LINE

MIC

PAD

POLARITY

TO

L-R

DIRECT

+48V

10

-10

20

0dB

40dB

60

50

40

30

200

HPF

400Hz

OFF

20

100

50Hz

30

10

6

MIC

LINE

-14

LINE

MIC

PAD

-5

-20

-10

+5

+10dB

0dB

-30

REVERSE

WIDE

MONO

WIDTH

STEREO

GAIN

STEREO

GAIN

XLR

POLARITY

POLARITY

POLARITY

(R)

GRAPHIC EQ

3

4

R2

3

4

press

mode

switches

L2

1

2

3

4

L

R

inserts

output

control

DELAY

FILL

1

DELAY

FILL

2

R2

L2

4

3

DELAY

DELAY

2

1

2

1

1

2

POWER AMPLIFIERS

R2

L2