10 base rate mode performance plots, Figure 23. 0 dbfs fft (brm), Figure 24 dbfs fft (brm) – Cirrus Logic CS4339 User Manual
Page 20: Figure 25. idle channel noise fft (brm), Figure 26. twin tone imd fft (brm), Figure 27. thd+n vs. amplitude (brm), Figure 28. thd+n vs. frequency (brm), 16k fft of a 1 khz input signal), 16k fft with no input signal)

20
CS4334/5/8/9
4.10
Base Rate Mode Performance Plots
-140
+0
-130
-120
-110
-100
-90
-80
-70
-60
-50
-40
-30
-20
-10
d
B
r
A
2k
20k
4k
6k
8k
10k
12k
14k
16k
18k
Hz
2k
4k
6k
8k
10k
12k
14k
16k
18k
-140
-130
-120
-110
-100
-90
-80
-70
-60
-50
-40
-30
-20
-10
+0
dB
r A
Hz
20k
+0
-10
-20
-30
-40
-50
-60
-70
-80
-90
-100
-110
-120
-130
-140
dBr A
2k
6k
4k
8k
10k
12k
14k
16k
18k
20k
Hz
-140
+ 0
-130
-120
-110
-100
-90
-80
-70
-60
-50
-40
-30
-20
-10
d
B
r
A
2k
20k
4k
6k
8k
10k
12k
14k
16k
18k
Hz
20k
2k
4k
6k
8k
10k
12k
14k
16k
18k
-140
-130
-120
-110
-100
-90
-80
-70
-60
-50
-40
-30
-20
-10
+0
dBr
A
Hz
20k
2k
6k
4k
8k
10k
12k
14k
16k
18k
20k
Hz
+0
-10
-20
-30
-40
-50
-60
-70
-80
-90
-100
-110
-120
-130
-140
dBr A
(16k FFT of a 1 kHz input signal)
Figure 23. 0 dBFS FFT (BRM)
(16k FFT of a 1 kHz input signal)
Figure 24. -60 dBFS FFT (BRM)
-140
+ 0
-130
-120
-110
-100
-90
-80
-70
-60
-50
-40
-30
-20
-10
d
B
r
A
2k
20k
4k
6k
8k
10k
12k
14k
16k
18k
Hz
2k
4k
6k
8k
10k
12k
14k
16k
18k
-140
-130
-120
-110
-100
-90
-80
-70
-60
-50
-40
-30
-20
-10
+0
dB
r A
Hz
20k
+0
-10
-20
-30
-40
-50
-60
-70
-80
-90
-100
-110
-120
-130
-140
dB
r A
2k
6k
4k
8k
10k
12k
14k
16k
18k
20k
Hz
-1 40
+ 0
-1 30
-1 20
-1 10
-1 00
-90
-80
-70
-60
-50
-40
-30
-20
-10
d
B
r
A
2k
20k
4 k
6k
8k
10k
12 k
1 4k
16k
18 k
H z
2k
4k
6k
8k
10k
12k
14k
16k
18k
-140
-130
-120
-110
-100
-90
-80
-70
-60
-50
-40
-30
-20
-10
+0
dB
r A
Hz
20k
+0
-10
-20
-30
-40
-50
-60
-70
-80
-90
-100
-110
-120
-130
-140
dB
r A
2k
6k
4k
8k
10k
12k
14k
16k
18k
20k
Hz
(16k FFT with no input signal)
Figure 25. Idle Channel Noise FFT (BRM)
(16k FFT of intermodulation distortion using 13 kHz and 14 kHz input signals)
Figure 26. Twin Tone IMD FFT (BRM)
-110
-60
-100
-90
-80
-70
d
B
r
A
-60
+0
-50
-40
-30
-20
-10
dBFS
-50
-40
-30
-20
-10
dBFS
-60
+0
-110
-100
-90
-80
-70
-60
dB
r A
-110
+0
-100
-90
-80
-70
-60
-50
-40
-30
-20
-10
d
B
r
A
20
20k
50
100
200
500
1k
2k
5k
10k
Hz
-110
-100
-90
-80
-70
-60
-50
-40
-30
-20
-10
+0
d
B
r
A
20
50
100
200
500
1k
2k
5k
10k
20k
Hz
+0
-10
-20
-30
-40
-50
-60
-70
-80
-90
-100
-110
dB
r A
100
50
200
500
1k
2k
5k
10k
Hz
20
20k
(THD+N plots measured using a 1kHz 24-bit dithered input signal)
Figure 27. THD+N vs. Amplitude (BRM)
(THD+N plots measured using a 1kHz 24-bit dithered input signal)
Figure 28. THD+N vs. Frequency (BRM)
All measurements were taken from the CDB4334 evaluation board using the Audio Precision Dual Domain
System Two Cascade.