Universal Audio UAD Plug-Ins ver.7.4.2 - Manual (Page 365)

UAD Powered Plug-Ins Manual - 365 - Chapter 37: Precision Maximizer
Shape The Shape knob is the primary saturation control for the
Maximizer effect. It contours the harmonic content and ap-
parent dynamic range of the processor by changing the
small-signal gain of the saturator. The available range is
0–100%.
At lower settings, apparent loudness is not as dramatic but
harmonic processing still occurs, producing a richer sound
with minimal reduction of dynamic range. As Shape is increased, the sound
becomes more saturated with “sonically pleasing” distortion and perceived
loudness, punch, and clarity.
Shape values between 0-50% will make the effect more subtle, but a richer
sound is still obtained. Lower Shape values accentuate louder peaks, which
can sound great on percussive instruments. Solo instruments can also benefit
from lower Shape values by taming the peaks while maintaining dynamic
range.
As Shape is increased beyond 50%, presence, excitement, and harmonic col-
oration can be dramatic, yet still highly musical and without the dynamic
squashing of typical limiters.
The most natural warmth and tube-like distortion is obtained with Shape at
50%. This setting generates the lowest amount of higher order harmonics and
most closely emulates characteristic tube qualities.
Bands Precision Maximizer can operate in one-band or three-band mode.
In one-band mode, all frequencies are processed equally. In three-
band mode, the frequency spectrum is split into three separate
bands before maximizing is applied.
One-band mode is the normal setting for general usage. In this mode, more
dramatic results can often be obtained because more saturation effect is pos-
sible before the output is clipped. At higher levels of distortion, the phase of
the harmonics are also better retained in this mode, which usually produces
a more desirable sound quality.
Higher levels of perceived loudness may be obtained in three-band mode, es-
pecially if the frequency spectrum of the source material is not balanced. In
this mode, certain settings can produce higher output levels than input levels
(and potential clipping), so it may be necessary to compensate by reducing
the input/output levels, and/or engaging the Limit control.